i’m not against vaping, but man, vaping two inches from my face on the subway is a ridiculous asshole kind of move. this dude was billowing like he was auditioning for the role of haunted house fog machine. the humidity in the whole car changed, he was ruining haircuts. just jump starting the water cycle. condensation was dripping down my glasses. people were slipping off poles, it was chaos. it was like watching one man try to terraform the moon. a planet with one dense, root beer scented atmosphere blocking out the sun and choking all life.
i consider this a sort of prose poem to be honest
Author: lebelinoria
The bigger your shoes the bigger your dick, the bigger your car the smaller your dick. No wonder people are so afraid of clowns.
you made me read this,,, with my innocent eyes
if you are ASEXUAL, you do not experience SEXUAL ATTRACTION.
if you are AROMANTIC, you do not experience ROMANTIC ATTRACTION.
if you are AROMATIC, you have a PLEASANT AND DISTINCTIVE SMELL.
And if you are AUTOMATIC, SYSTEMATIC, and HYDROMATIC, why then you’re GREASED LIGHTENINGGGGG
I was not prepared
I WAS *slides across garage floor on knees*
a thing i thought
disclaimer: i’m not a historian or a sociologist only a person who has read things and observed and interpreted by my own understanding. i expect it’s all been said before. i’m writing it down because if i don’t i’ll go on overthinking it and arguing with myself until i am a semiconscious blob. ANYWAY
in 1894, Lord Alfred Douglas published an undistinguished poem called “Two Loves” that would have faded into (deserved) obscurity but for the phrase “the love that dare not speak its name.” even that would have passed with a yawn except that it was quoted at Oscar Wilde’s trial as a secret code for homosexuality. Wilde denied this, but it’s now generally accepted that that was its intended meaning.
so time passes, the world changes, there’s struggle, and a group of people can now speak its name, not always safely, not always freely, but there is the sound of voices. when we are acquiring language, we call the names of things–milk, truck, mama– and especially we say our own names over and over. we tell the stories of ourselves to ourselves and later to others with increasing refinement as our vocabulary grows. in adolescence and youth the imperative seems to be to fight for one’s own identity, to distinguish ourselves in the world so we can survive as individual personalities and paradoxically as part of a culture. we call our names and if no one listens, we call more loudly; we learn and invent new words so that we are known to and for ourselves, and listen for others using the same words so we know that although individual, we are not isolated.
i feel like right now things are changing massively, importantly, and that we’re in the adolescent stage of a new social identity; we’re inventing language daily to define ourselves and acquiring the power and volition to express it because now we can when we couldn’t before. i don’t think this power is always used effectively or with discrimination and consideration, but that, in my experience, is pretty typical of adolescents. there are metaphorical and actual cliques and in-fighting and kids who sit at the cool table in the cafeteria and a lot of labeling and angry flailing as a growing generation becomes more articulate and invents itself as it has to in order to survive and effect change.
in the struggle to define ourselves, we’re going to come up against people taking different ways through the same process, and people who feel they’ve substantially passed through it and are in a different stage of development. attacking “others” is a harsh part of self-definition, declaring who you are by pointing out what you are NOT. every generation does it because every generation goes through a social-change adolescence, which is a pretty good thing for people to remember when they start condemning other generations.
in a way this is my defense of “millennials” as well as my consideration of dissension within the LGBTQ+ community. it’s too early in our current struggle for change to start criticising people for using language when they haven’t acquired a lot of skill with a massive new vocabulary that is in flux itself; you have to live with it and practice it and say it until it becomes a part of the world. you can’t blame people who have felt silenced for yelling when they can. It’s part of a process that i believe will result in better things as a cultural body moves into its maturity. i believe that REALLY HARD.
person: but it’s canon
me: yes, but it’s very badly written, so we ignore it
My ideal beginning to a Batman movie:
We start with a slow pan down to Gotham as Oracle narrates
“Ask your average person who Gotham’s most famous citizen is, and you’ll get the same response every time: Bruce Wayne. Everybody’s heard of Bruce Wayne. You’ve probably heard his name a million times before. But there are some things that the average citizen doesn’t know about him. See, to the people of Gotham, Bruce Wayne is a rich kid who never grew up. They think he’s a buffoon, an airhead, a moron. But the truth is…”
*Batman bursts out of a window, screaming, on fire*
*record scratch, freeze frame*
“…they aren’t entirely wrong about that.”
EHEHEHEHEHEHEHEHE
This is then followed by a series of clips from interviews with various Gotham citizens, all of whom give humorously ironic descriptions of Bruce Wayne’s idiocy:
“Bruce Wayne? I hear the guy gets through a super-car every month! Replaces every one, just like that!”
*Cut to shot of the Batmobile flipping end-over-end after slamming into one of Bane’s APCs*
“Wayne? Please! The guy would probably have accidentally killed himself years ago if he didn’t have that butler to babysit him!”
*Cut to Alfred physically restraining Bruce from going out to fight Scarecrow while having a broken arm, a concussion, and the flu,*
“I bet he throws away cash like it grows on trees!”
*Cut to Batman shouting “Hey, Lucius! Ask R&D to make some kryptonite/Nth metal alloy baterangs! Y’know, just in case!”
“I’m almost jealous. Super rich and he gets to hang out with gorgeous women across the world? Sign me up!”
*Cut to Bruce being slammed face first into a wall repeatedly by Lady Shiva.*
@smut-smut-in-the-butt this seems like something you’d be interested in
This is the Batman I long for.
PSA For New/Beginner Musicians
Sorry I haven’t posted here in a bit folks, been rather busy trying to get that EP out, but now that I have, I’m back and I’m all yours.
Anyways, I have some important advice for… well any musician, really, but it’s something I know I struggled with a lot when I was first starting out and I wish someone had told me.
Now this may not be so prevalent in certain circles, but in the circles I started out in (and some I’m still in), gear seems like it’s everything. And honestly? “Good” gear, the gear people dream of, and the gear people really want, is expensive.
But more importantly, it doesn’t really matter. All that matters is that whatever you’re playing, whatever your setup is, sounds good to you. Even if it doesn’t sound good to anyone else, the question is, do you like it? As long as the answer is yes, you don’t need to change a thing.
Some of, what to me, is the best sounding gear I own, is also some of the cheapest.
What got me thinking on this is I just watched a video of a guy playing a $100 guitar and a $10,000 guitar. 90% of the time, if I closed my eyes, I honestly couldn’t tell which was which. When I could, I actually personally preferred the $100 one’s sound.
I’ll probably follow this up with a quick little advice post on finding good gear for cheap as well, because I’ve discovered that quite often what you end up paying the big bucks for isn’t quality, it’s the brand name.
– Mod Cody
I was just thinking about this! I saw a video of a guy playing his first cheapo ukulele and the latest one he bought, which was very high end. There’s an audible difference between the two, but I’d be hard pressed to say which one was better. The material in the more expensive one was nicer, and it had better tuning pegs and such, but I do think it’s important that you buy for what you like, not what anyone else thinks you should have.
I really like looking at different ukes and I will probably buy a nicer one eventually, but my Kala sounds just fine, really, and on the plus I’m rarely worried about it getting knocked around when I’m traveling.
i’m a visual artist, but what my dad said to me a couple times when i was a kid, nagging him for expensive pencils and markers, was:
“A bad craftsman blames his tools.”
expensive tools will never substitute for skill, dedication, and practice. you can’t stand there and say ‘i suck because my tools are too cheap.’ it’s a sad excuse.
again, i’m a tone-deaf illustrator, but what i know about music is that over and over through history, people denied access entirely to high-class instruments will do what they can with what they have, and create new forms of music. musicians have used gourds, old washboards, tapedecks. there’s a capella and beatboxing if you don’t even have that! you don’t need a thousand dollar guitar to be great, you need persistence, and that’s free.
me @ my body: perhaps… since it’s summer… you could sleep without the blanket?
my body: interesting thought! interesting thought. but no
the theater to see wonder woman is basically totally full
awesome
sarcastic theory shitpost: post-retcon HS’s increasingly disturbing treatment of harassment and consent was not in fact the result of the author getting lazier and/or scuzzier but was in fact a representation of how, by hewing to the alpha timeline and Skaia’s will, the characters objectified themselves
It was always scuzzy. Vriska sexually assaulted Tavros and no one cared. Plus, I’m sad to say, there’s Equius and his treatment of Aradia.
There’s a reason I said scuzzier.
There’s at least like, an attempt occasionally with earlier stuff to indicate that it’s a problem. Tavros, Dirk, and Aradia are not happy about their treatment by Vriska, Roxy, and Equius, for example. (Although Roboradia then goes ahead and kisses him anyway, so ymmv.) HIC’s treatment of the Helmsman is pretty clearly fucked up, and Mindfang and the Dolorosa is romanticized because Mindfang’s writing it. Far be it from me to defend many of AH’s sketchier choices, but there at least, it was trending differently than it trends later.
Now, obviously I’m not saying every narrative has to have a footnote saying “this behavior is bad”. That’s… not how fiction works. But I do think especially post-retcon harassment and assault is played way more as positive, funny, and excusable. Jasprose catcalling Jane (someone who’s already been shown to be uncomfortable with her body) is played off with comical 😮 reactions and set up as more ‘lol that quirky catgirl’. D/avepeta kissing Jade is fine because ‘she didn’t mind’ and besides part of them dated a version of her, and that means they can kiss her whenever they want, right? And then of course there’s the unnecessary crotch shots for Jake. The shift seems to be that in post-retcon, there’s absolutely no indication the author thinks this is a problem at all, and it is instead used as a joke or a positive thing. It’s just… unsettling.
There’s consent issues or themes of control in other places as well but in terms of the sexual harassment, that’s the stuff that sticks out most to me.
Then there’s Porrim touching Kankri without his permission and Kankri’s supposed to be a brat for getting angry
Never thought of the Davepeta problem before. Good point.
I don’t recall that but then I started skimming over a bunch of Kankri logs after they started mocking different orientations.
