A list of body language phrases.
I’ve included a very comprehensive list, organized by the type of body movement, hand and arm movements, facial expressions etc. In some cases, a phrase fits more than one heading, so it may appear twice. Possible emotions are given after each BL phrase unless the emotion is indicated within the phrase. (They are underlined for emphasis, not due to a hyperlink.)
Note: I’ve included a few body postures and body conditions as they are non-verbal testimony to the character’s physical condition.
Have fun and generate your own ideas.:-)
Eyes, Brows and Forehead
- arched a sly brow: sly, haughty
- blinked owlishly: just waking, focusing, needs glasses
- brows bumped together in a scowl: worried, disapproving, irritated
- brows knitted in a frown: worried, disapproval, thoughtful
- bug-eyed: surprised, fear, horror
- cocky wink and confident smile: over confidence, arrogant, good humor, sexy humor
- eyes burned with hatred: besides hatred this might suggest maniacal feelings
- eyes flashed: fury, defiance, lust, promise, seduction
- eyes rolled skyward: disbelief, distrust, humor
- forehead puckered: thoughtful, worried, irritation
- frustration crinkled her eyes
- gaze dipped to her décolletage: sexual interest, attraction, lust
- gimlet-eyed/narrowed eyes: irritation, thoughtful, mean, angry
- gleam of deviltry: humor, conniving, cunning
- kept eye contact but her gaze became glazed: pretending interest where there is none/bordom
- narrowed to crinkled slits: angry, distrust
- nystagmic eyes missed nothing (constantly shifting eyes): Shifty
- pupils dilated: interested, attraction to opposite sex, fear
- raked her with freezing contempt
- slammed his eyes shut: stunned, furious, pain
- squinted in a furtive manner: fearful, sneaky
- stared with cow eyes: surprised, disbelief, hopeful, lovestruck
- subtle wink: sexy, humor/sharing a joke, sarcasm
- unrelenting stare: distrust, demanding, high interest, unyielding
Place To Place, Stationary Or Posture
- ambled away: relaxed, lazy
- barged ahead: rude, hurried
- battled his way through the melee: desperate, anger, alarm
- cruised into the diner: easy-going, feeling dapper, confident
- dawdled alongside the road: lazy, deliberate delay for motives, unhurried, relaxed
- dragged his blanket in the dirt: sadness/depressed, weary
- edged closer to him: sneaky, seeking comfort, seeking protection, seeking an audience
- he stood straighter and straightened his tie: sudden interest, sexual attraction
- held his crotch and danced a frantic jig: demonstrates physical condition – he has to pee
- hips rolled and undulated: sexy walk, exaggerating for sex appeal
- hovered over them with malice/like a threatening storm: here it’s malice, but one may hover for many reasons.
- hunched over to look shorter: appear inconspicuous, ashamed of actions, ashamed of height
- leaped into action feet hammering the marbled floor: eager, fear, joyous
- long-legged strides: hurried, impatient
- lumbered across: heavy steps of a big man in a hurry
- minced her way up to him: timid, sneaky, insecure, dainty or pretense at dainty
- paced/prowled the halls: worried, worried impatience, impatient, diligently seeking pivoted on his heel and took off: mistaken and changes direction, following orders, hurried, abrupt change of mind, angry retreat
- plodded down the road: unhurried, burdened, reluctant
- practiced sensual stroll: sexy, showing off
- rammed her bare foot into her jeans: angry, rushed
- rocked back and forth on his heels: thoughtful, impatiently waiting
- sagged against the wall: exhausted, disappointment
- sallied forth: confident, determined
- sashayed her cute little fanny: confident, determined, angered and determined
- shrank into the angry crowd: fear, insecure, seeking to elude
- sketched a brief bow and assumed a regal pose: confident, mocking, snooty, arrogant skidded to an abrupt halt: change of heart, fear, surprise, shock
- skulked on the edges of the crowd: sneaky, ashamed, timid
- slithered through the door: sneaky, evil, bad intentions
- stormed toward her, pulling up short when: anger with a sudden surprise
- swaggered into the class room: over confident, proud, arrogant, conceited
- tall erect posture: confidence, military bearing
- toe tapped a staccato rhythm: impatience, irritation
- tottered/staggered unsteadily then keeled over: drunk, drugged, aged, ill
- waltzed across the floor: happy, blissful, exuberant, conceited, arrogant
Head Movement
- cocked his head: curiosity, smart-alecky, wondering, thoughtful
- cocked his head left and rolled his eyes to right corner of the ceiling: introspection
- droop of his head: depressed, downcast, hiding true feelings
- nodded vigorously: eager
- tilted her head to one side while listening: extreme interest, possibly sexual interest
Mouth And Jaw
- a lackluster smile: feigning cheerfulness
- cigarette hung immobile in mouth: shock, lazy, uncaring, relaxed casualness
- clinched his jaw at the sight: angered, worried, surprised
- curled her lips with icy contempt
- expelled her breath in a whose: relief, disappointment
- gagged at the smell: disgust, distaste
- gapped mouth stare: surprised, shock, disbelief
- gritted his teeth: anger, irritation, holding back opinion
- inhaled a sharp breath: surprise, shock, fear, horror
- licked her lips: nervous, sexual attraction
- lips primed: affronted, upset, insulted
- lips pursed for a juicy kiss
- lips pursed like she’d been chewing a lemon rind: dislike, angry, irritated, sarcasm
- lips screwed into: irritation, anger, grimace, scorn
- lips set in a grim line: sorrow, worried, fear of the worst
- pursed her lips: perturbed, waiting for a kiss
- scarfed down the last biscuit: physical hunger, greed
- slack-mouthed: total shock, disbelief
- slow and sexy smile: attraction, seductive, coy
- smacked his lips: anticipation
- smile congealed then melted into horror
- smile dangled on the corner of his lips: cocky, sexy
- smirked and tossed her hair over her shoulder: conceit, sarcasm, over confident
- sneered and flicked lint off his suit: sarcasm, conceit
- spewed water and spit: shock
- stuck out her tongue: humor, sarcasm, teasing, childish
- toothy smile: eagerness, hopeful
- wary smile surfaced on her lips
Nose
- nose wrinkled in distaste/at the aroma
- nostrils flared: anger, sexual attraction
- nose in the air: snooty, haughty
Face in General
- crimson with fury
- handed it over shame-faced
- jutted his chin: confident, anger, forceful
- managed a deadpan expression: expressionless
- muscles in her face tightened: unsmiling, concealing emotions, anger, worried
- rested his chin in his palm and looked thoughtful
- rubbed a hand over his dark stubble: thoughtful, ashamed of his appearance
- screwed up her face: anger, smiling, ready to cry, could almost be any emotion
- sneered and flicked lint off his suit: conceit, derision, scorn
Arm and Hand
- a vicious yank
- arm curled around her waist, tugging her next to him: possessive, pride, protective
- bit her lip and glanced away: shy, ashamed, insecure
- brandished his fist: anger, threatening, ready to fight, confident, show of pride
- clamped his fingers into tender flesh: anger, protective, wants to inflict pain
- clenched his dirty little fists: stubborn, angry
- clapped her hands on her hips, arms crooked like sugar bowel handles: anger, demanding, disbelief
- constantly twirled her hair and tucked it behind her ear: attracted to the opposite sex, shy crossed his arms over his chest: waiting, impatient, putting a barrier
- crushed the paper in his fist: anger, surrender, discard
- dived into the food: hunger, eager, greedy
- doffed his hat: polite gesture, mocking, teasing
- doodled on the phone pad and tapped the air with her foot: bored, inattention, introspection
- drummed her fingers on the desk: impatient, frustrated, bored
- fanned her heated face with her hands: physically hot, embarrassed, indicating attraction
- fiddled with his keys: nervous, bored
- firm, palm to palm hand shake: confident, honest
- flipped him the bird: sarcastic discard
- forked his fingers through his hair for the third time: disquiet/consternation, worry, thoughtful
- handed it over shame-faced: guilt, shame
- held his crotch and danced a frantic jig: physical need to relieve himself
- limp hand shake: lack of confidence, lack of enthusiasm
- propped his elbow on his knee: relaxed, thoughtful
- punched her pillow: restless, can’t sleep, angry
- rested his chin in his palm: thoughful, worried
- scratched his hairy belly and yawned: indolent, bored, lazy, relaxed, just waking
- shoulders lifted in a shrug: doubtful, careless discard
- slapped his face in front of God and country: enraged, affronted/insulted
- snapped a sharp salute: respect, sarcastic gesture meaning the opposite of respect
- snapped his fingers, expecting service: arrogant, lack of respect, self-centered
- sneered and flicked lint off his suit
- spread her arms wide: welcoming, joy, love
- stabbed at the food: anger, hunger, determined
- stood straighter and smoothed his tie: sudden interest, possible sexual interest
- stuffed his hands in his pockets: self-conscious, throwing up a barrier
- sweaty handshake: nervous, fearful
- touched his arm several times while explaining: sign of attraction, flattery, possessive
- wide sweep of his arms: welcoming, all inclusive gesture, horror
Sitting or Rising
- collapsed in a stupor: exhausted, drunk, drugged, disbelief
- enthroned himself at the desk: conceit, pronouncing or taking ownership
- exploded out of the chair: shock, eager, anger, supreme joy
- roosted on the porch rail like a cock on a hen house roof: claiming ownership, conceit, content
- sat, squaring an ankle over one knee: relaxed and open
- slouched/wilted in a chair and paid languid attention to: drowsy, lazy, depressed, disinterest, sad, totally relaxed, disrespectful
- squirmed in his chair: ill at ease, nervous, needs the bathroom
Recline
- flung himself into the bed: sad, depressed, exhausted, happy
- prostrated himself: surrender, desperate, miserable, powerless, obsequious, fawning, flattering
- punched her pillow: can’t sleep, anger, frustrated
- threw himself on the floor kicking and screaming: tantrum
Entire body and General
- body stiffened at the remark: offended, anger, alerted
- body swayed to music: dreamy, fond memories, enjoys the music
- bounced in the car seat, pointing: excitement, fear, eager
- cowered behind his brother: fear, shyness, coward, desperate
- curled into a ball: sorrow, fear, sleepy, defensive
- heart galloping: anxiety, joy, eager
- held his crotch and danced a frantic jig
- humped over his cane, each step shaking and careful: pain, aged
- inhaled a deep breath and blew out slowly: buying time to find words/thoughtful, reconciled
- quick and jerky like rusty cogs on a wheel: unsure of actions, self-conscious, tense, edgy
- rocked back and forth on his heels: impatient, cocky, gleeful
- manhandled the woman into a corner: bully, anger
- slumped shoulders: defeat, depressed, sad, surrender
- stiff-backed: priggish, haughty, affronted
- stood straighter and straightened his tie: sexual interest, wants to make an impression
- stooped and bent: aged, arthritic, in pain
- stretched extravagantly and yawned: tired, bored, unconcerned
- sweating uncontrollably: nervous, fear, guilt
- tall erect posture: confidence, military bearing
- was panting now at: afraid, exhausted, out of breath, sexual excitement
Tag: writing
insisting a fictional culture uses a sexagesimal number system is all fun and games until you keep having to invent words because so many things in english are rooted in base-10
What kind of words?
Decimate? Decade?
decade, but also measurements of distance. there is now an elaborate backstory for where they get their measurement systems from, which i will never actually use or share, it will just exist in the ether as a weird fact that only i know
You ever try rooting through language for words derived from real-world location names and proper nouns? Words you’d logically have to cut out of usage for a fictional setting? There’s a LOT of them. More than you’d think.
for the most part i don’t worry about it, because literally everything and anything can be handwaved away as a translation—as long as they’re still referring to a person who gets off on hurting people, the word ‘sadist’ is an acceptable translation to english of whatever word they actually use, and regardless of whether their society has secretaries we can still translate whatever they call that weird-ass bird to secretary bird. hell, most of the time i take the handwaving one step further, like “okay well obviously they don’t have ducks on this weird fantasy planet but this bird is similar enough to a duck that if an english speaking person moved there they would call it a duck” because if a ruffed grouse can be a partridge then why the can’t this fake water bird be a duck. if it’s a lumpy brown starch that grows underground then english speakers are going to call it a potato because that’s just how language works. if i’m going to have a fiction that english speakers can read then it’s going to have to be in english regardless of whatever fictional language they would surely use instead and that makes everything an approximate translation imho. BUT my problem is when they are referring to something totally different, i.e., they don’t refer to a collection of ten years because that number has no real significance, they refer to a collection of twelve instead, so the word ‘decade’ doesn’t work at all. or measurements of distance, which are always totally arbitrary no matter what culture you’re from! the meter is ultimately no less bullshit than the foot. no language in real life has a word for “the length of this fictional person’s forearm, which has for a number of historical and cultural reasons become the standard around which our system of measuring length is based” let alone a word for “sixty of that person’s forearm”. you can’t just say a mile, or a kilometer, or a league, because those are different distances! english speakers who moved to this fake place would not just start calling sixty forearms a mile; they would use whatever word the locals used, and then figure out how to convert one length to the other rather than just adopt their perfectly good system of measurement like reasonable people.
which makes writing about it A HUGE PAIN but anyway
This is an excellent post but also I am DYING to read the backstory and info on the base-sixty counting system.
7 New Writer Mistakes that Make you Vulnerable to Predators
1) Writing-in-a-Garret Syndrome
It seems half the people I meet are “working on a book.” I met one at the supermarket this week. He wanted to tell me about struggling with his opus—at great length. I tried to be polite, but as my bourbon-caramel gelato began to melt, I suggested he join the Nightwriters in San Luis Obispo—an excellent group for writers at all levels. (And you still have time to enter their annual writing contest, The Golden Quill Awards. More info in Opportunity Alerts.)
“Oh no,” supermarket man said. “I’ll never show my book to anybody. They might steal my ideas. They can read it when it’s published.”
And I got a couple of messages this week from writers who had the same reason for not sharing work. They’ve been told to blog, but fear people will, yup, “steal their ideas.”
These are people writing in a vacuum. They don’t realize that ideas are everywhere, and most writers have more than they can use in a lifetime. These wannabes also don’t know creative writing needs to be read by dozens of critiquers, beta readers, and editors before it’s ready for publication.
[…]
Saw this post about straight dudes feeling emasculated at the thought of taking their wife’s last name, and it gave me a sudden craving for fantasy media where some dude is called Leopold THE DESTROYER or some shit and there are all these rumors going around about how he got his moniker, all these made up stories about how he must have razed a village to the ground or slayed 12 dragons or some shit and it turns out he just took his wife’s last name.
It was a quiet night at the local tavern, when suddenly the bar door was kicked in.
Three well-armed thugs swaggered in, their clothes filthy from sleeping rough on the road, their fingers caressing the hilts of their swords.
“Where is Leopold Destroyer?” the broadest of the thugs demanded into the sudden hush. “I would have words with him!”
The bar was suddenly full of whispered exclamations.
A short man with a lute slung over his back on a strap jumped to his feet from where he had been enjoying a quiet drink near the fire. This movement placed his feet upon the ground, as they had been dangling as he sat on his high stool.
“I am he,” he said, eyeing the thugs a little warily. “Can I help you gentlemen?”
The tallest of the thugs gaped. “What? You? I don’t believe it.”
Leopold straightened. “Are you calling me a liar sir? My name is Leopold Destroyer. Ask any here who know me.”
“Aye,” one of the ladies behind the bar spoke up. “That’s Leo alright. I’ve known him since we were kids.”
“Yep, he’s telling the truth,” an old man carrying a shepherd’s crook agreed. “Unless I’ve gone blind from the rotgut they serve here,” (the bartenders hissed at him in affront at this slight to their grog), “that’s definitely young Leopold.”
The thinnest of the thugs bared his yellowing teeth in a sneer. “This man? This is Leopold Destroyer?”
“Yes,” came the answered chorus.
“Leopold Destroyer who killed Grant Ogrethorpe, the mightiest bandit leader the East Coast has ever seen? Who stood against twenty of his best followers and cut them down like sugar cane? Who defeated the Troll of Rogan’s Bridge?” he shook his head. “I don’t believe you. This tiny man, able to do all that? Hah, don’t make me laugh,” he scoffed.
Leopold’s shoulders slumped a little in relief.
“Oh!” he said, as though enlightened. “Oh you’re not looking for me at all, I’m not the one who did all that.” He grinned. “I’m just a simple bard. Your sources must have gotten confused.”
The tallest thug scratched his head. “Then who did?Someone killed Grant and all his people.”
“That would be me,” came a soft alto voice from the other side of the bar.
A tall woman with a wicked-looking scar on one cheek thumped down her beer stein and stood, drawing a longsword.
“I’m Leila Destroyer. Let’s leave my husband out of this and take it outside.”
TRUST YOUR OBSESSIONS
“I remember Alan Moore in the late 1980s telling me about a documentary he’d seen on TV about Jack the ripper. And then, over the course of the next few months, telling me about Jack the Ripper books he’d read. By the point where he was asking me to go and find rare and forgotten biographies of possible Ripper suspects at the British Museum, I though it quite possible that a Jack the Ripper comic would be in the offing. From Hell didn’t start with Alan going, “I wonder what I’ll write about today.” It started as an obsession.
Trust your obsessions. This is one I learned more or less accidentally. People sometimes ask whether the research or the idea for the story comes first for me. And I tell them, normally the first thing that turns up is the obsession: for example, all of a sudden I notice that I’m reading nothing but English 17th century metaphysical verse. And I know it’ll show up somewhere—whether I’ll name a character after one of those poets, or use that time period, or use the poetry, I have no idea. But I know one day it’ll be there waiting for me.
You don’t always use your obsessions. Sometimes you stick them onto the compost heap in the back of your head, where the rot down, and attach to other things, and get half-forgotten, and will, one day, turn into something completely usable.
Go where your obsessions take you. Write the things you must. Draw the things you must. Your obsessions may not always take you to commercial places, or apparently commercial places. But trust them.”
– From @neil-gaiman ’s speech given at the 1997 PRO/con in Oakland
i open the word document
convoluted, almost meaningless, but perfectly-grammatically-sound sentences are an invaluable filler in academic writing
All characters are self-insert characters. They are you a little to the left, or a particular piece of you dialed up to 11, or the you that you would have been if the path of your life had angled just slightly differently, or you if you never learned this one important thing.
Every character is part of you, but more than that every character starts with a piece of you, big or small, it’s you in one way or another at the beginning. There’s nothing wrong with that. In fact it’s essential. That seed of you, that lives in them, it’s what gives them life, breath and blood and bone. And then you tend it, growing it, shaping them along paths you could never have walked nor imagined for yourself. Until they become someone else entirely. A wholly fictional character. But also you, a little bit, somewhere in there in the heart of themselves.
Every character is a self-insert character. It’s only a matter of degrees how much of yourself there is in them when you finally put them out into the world. Stop worrying so much about self-inserts. Worry more about putting that little you into a story that will shape them into a big, beautiful character.
It’s a little early to say that the holidays are coming up, even though that is technically true almost all of the time, but despite that I wanted to share an idea I had today for broke writers: write a character introduction for a loved one in their favorite genre style. Your best friend can be introduced in a gothic horror novel with special attention to their vulnerable neck, a parent in a mystery novel from the perspective of a very suspicious detective, a sibling in a high fantasy novel where they stumble through the trees at just the right moment to scare away a monster in a mass of jaw-dropping confusion. A paragraph or two should suffice, written or typed on red-splattered paper if appropriate and you’re feeling crafty.
whoaaaaa what a great idea
Scooby Doo idea: Daphne Blake as the weird rich kid whose parents signed her up for a shit-ton of rich-kid extracurriculars like polo, fencing, and all of this other shit so they wouldn’t have to deal with her/bolster her college resume. She puts a lot of effort into actually being good at all these extra-curriculars bc she’s competing with all of her ~super successful and talented~ sisters for attention and ends up athletic as hell and socially stunted and like…really aggressive and competitive and never quite satisfied with anything she’s doing. The only other ‘High Society’ kid who can put up with her is Norville “Shaggy” Rogers —an anxious stoner with freaky strict parents whose only friend prior to Daphne was his equally anxious rescue dog—Daphne’s been beating up Shaggy’s bullies for years. Then there’s student council dweeb Fred Jones who’s always been groomed to be this ‘leader’ by his parents and is always pressured to go to these youth leadership things and stuff and yeah he’s pretty good at directing group projects, but really Fred’s kind of shy and more interested in engineering, forensics and maybe criminal justice and he’s been friends with this chick Velma Dinkley in engineering club who’s brilliant but she’s also tactless, awkward and very bitterly sarcastic to cover up for the fact that her book smarts far outweigh her social skills.
So then there’s this mystery downtown and all five of them show up and there’s a mutual, “Oh hey it’s you: The weird kid from my school. What are you doing here?” and everyone goes around. Fred’s like, “Oh I knew the owners of this place and they said they might have to close down because of this ghost and I told Velma about it and Velma thinks we can get to the bottom of this.” And Shaggy’s like, “Scoob and I didn’t want to be home right now and we honestly didn’t know about the ghost but hey Daphne’s here so we feel safe enough to hang out and maybe Scoob can sniff out some clues or something.” And then everyone turns and looks at Daphne and Daphne’s just like, “I want to fight a fucking ghost.”
I appreciate all of this.
fine, you know what, FINE, i’m just going to LEAN INTO being an on-fire garbage can, whatever. this is who i am now. whatever. WHATEVER!!!! death comes for all of us.
Daphne Blake is very good at almost everything. She should be: she practices. Fencing, polo, archery, dance, tennis, volleyball, karate, yoga. She wrings them out of herself minute by minute, gesture by gesture until her muscles have memory.
She doesn’t mind the work. Daphne likes to struggle. She likes the feeling of victory when she gets to the end: learning a music piece, defeating an opponent, adding a language to the résumé she’s been building since she was ten. She doesn’t have to be the best, but she likes to be better.
She likes looking down.
Daisy revolutionized city-based trauma centers, Dawn redefined modeling with her The Body Is Art campaign, Dorothy was the first woman to win the Triple Crown of Motorsport, and Delilah is so highly decorated she’s run out of room on her dress blues.
Daphne’s sisters were born with the promise of one perfect thing written on their palms. Daphne was born with empty hands, and cannot make anything perfect. Daphne is only ever very, very good.
Norville “Shaggy” Rogers is high, right now. He is looking at the spiral of stucco on his ceiling, his dog Scooby’s head on his stomach, one hand in a bag of Cheetos and the other holding a joint. He isn’t floating, but he’s thinking about it.
“Daph,” he says, heavy eyes blinking open. “What time’zit?”
Daphne lowers her epee. She has a national tournament this weekend. Her parents might come.
Then again, Shaggy knows, they might not.
“Four-fifteen,” Daphne tells him. She flicks her red ponytail off her shoulder, adjusting and readjusting her grip on the sword until it meets some unwritten standard. “When you finish your Cheetos we’ll go over to the fair grounds. It won’t open until seven so we can have a look around before it gets busy.”
Daphne is a nationally ranked fencer; captains the Crystal Cove Country Club women’s polo, archery, and tennis teams; speaks French, Italian, Spanish, and Russian; she can even apply eyeliner on a train. Shaggy saw her do it once, in Paris.
Daphne is the child Shaggy thinks his parents probably wanted. Good at everything she tries, and tries at everything she does.
Shaggy had his first panic attack at age nine. He was seated at a piano. It was his first recital and he was going to play a piece by Béla Bartók. He had liked the song while learning it: fast, uneven, somehow new every time, new enough to keep up with the way his brain could never seem to settle. Shaggy liked it because he was never bored playing it, and he was always bored, in a strange way, in a way that made his heart beat fast and, sometimes, his stomach ache as if he was starving. Sometimes he was bored even when he wasn’t bored–sometimes he became distracted and forgot what he was doing. He lost things all the time. It drove his mother crazy. It made his parents yell like the first three bars of the Bartók piece, Norville! focus Norville! sit still Norville! Norville! Norville!
Shaggy fell apart in trembles on the piano bench, in front of everybody, in front of his panicked teacher and his wide-eyed classmates and his father, who only sighed and said he was doing it for attention.
“Shaggy,” Daphne says, and he realizes his eyes have fallen shut again. When he opens them, she’s bent over him, grinning, too sharp. Daphne is always a little too sharp.
“What?”
“You’re not gonna chicken out on me, are you?”
Shaggy thinks about it. He feels good. Calm. Daphne always makes him feel calm. She’s kinetic and sharp-sharp-sharp. She sucks up all the energy in the room and leaves him feeling like he finally has enough room to breathe.
“No,” he decides, “but I’m bringing Scoob and we’re stopping for burgers.”
Fred Jones is an Eagle Scout. The boys on the football team make fun of him, but the boys on the football team also go nuts for the jalapeño cheddar popcorn he sells, so frankly Fred thinks they can shut it. Fred had liked having tasks he had to complete before he became an Eagle. He had liked learning about nature, about how to survive in the woods, about how to build a fire.
He had liked learning how to identify tracks and what a branch looks like when it has been broken by human hands. He’s not going to be a park ranger or anything but he likes knowing how to leave something undisturbed. He likes thinking of nature the way they’d taught him to think of a crime scene at Forensics camp: How are things? How should they be?
Anyway, Fred’s dad had been excited. He likes when Fred gets elected to things–captain of the football team, president of Student Council, Editor-in-Chief of the high school paper.
Fred hadn’t wanted any of those positions, but his dad didn’t get excited about a lot of things, and…it was nice. When he did.
Fred’s phone buzzes. He flicks open the lock screen and reads Velma’s text: meathead bring a flashlight.
hi Velma, Fred types back. my day was great thanks for asking.
Fred has enough time to go to the kitchen and make himself a ham sandwich before Velma replies. The text says neat story. Thirty seconds later, she follows up with, i’m outside.
Fred looks out the window behind the sink. Mrs. Dinkley’s terrible van is idling in their driveway and Velma is already getting out of it, jogging up to Fred’s front door. He shoves his feet into the tennis shoes he’d last abandoned in the foyer and opens the door before Velma can knock, catching her with her hand half-raised.
“Lookit you, eager beaver,” she drawls. “D’you have the flashlight?”
Fred lifts his keychain. It’s got a small but powerful flashlight dangling between his house and locker keys. “Always be prepared,” he recites.
She cranes her neck as she peers over her shoulder. “Is your dad home?” she asks.
“No, he’s got a town hall meeting until dinner. They announced the plans to build a parking structure where the Neubright Community Center is and everyone’s pissed.”
“With great power, etcetera etcetera,” says Velma, then pauses. “Wait, the community center in south Cove? The only one with free daycare and after-school programs?”
“Yeah.”
“Wow. Like, fuck your dad.”
Fred doesn’t say anything. He knows. He knows. But it’s his dad.
Velma winces into the silence. “Uh. Anyway. We should get going. The fair opens at seven and we want to get there before the crowds move in.”
Velma Dinkley is almost always right, but never says the right thing. She doesn’t know why. She doesn’t mean to. Words come tumbling out of her mouth before she can stop them, and they almost always lead to that terrible beat of silence where the wrongness hangs, suspended, until someone is gracious enough to speak into it.
Everything lines up in Velma’s head: numbers, logic, equations, puzzles, those stupid Mensa games. But it never comes out right, or at least not just right. Her mother says she gets “a tone” when she speaks sometimes that makes other people feel like she thinks they’re stupid.
First of all, it’s not Velma’s fault if people are stupid, and it’s not her fault if they know it, and it’s not her fault if they find out only in comparison to Velma being smarter than they are.
But of course Velma lives in the world, so it’s not her fault but it is her problem.
She hadn’t meant fuck your dad, for example. What she had meant was: fuck the mayor. The mayor is Fred’s dad but she hadn’t meant to say it like that. Fred idolizes his dad. Velma knows that.
Anyway, Fred never gets mad. Everyone else gets mad eventually but Fred hasn’t, not since they were kids at Forensics camp together and Velma hadn’t had anyone to partner with and had been trying so hard not to show anyone that it bothered her. And then Fred had said, “Hey, we can have three in our group.”
Velma gets things right and people wrong. Her mother says she’ll grow out of it. Velma isn’t sure.
“So what makes you think we can do what the police can’t?” Fred asks, taking a left-handed turn that Velma wouldn’t have risked.
Velma rolls her eyes. “The police said that a ghost pirate tried to commit murder by tampering with a roller coaster, Fred. If our baseline of detection is ‘jinkies! we think a ghost did it,’ I am sure we can find something to bring to the table.”
Fred laughs. “We can put that in our report,” he says.
“Scoob wants a BLT,” Shaggy informs her, and Daphne rolls her eyes.
“Scooby’s a dog, so he’s getting the cheapest thing on the menu,” she says.
Shaggy frowns. “Daph, you’re like, a literal millionaire,” he points out. “And we’re at the drive-thru of a Denny’s. Splurge on the BLT, dude.”
“Potheads who live in four-story houses shouldn’t throw stones,” Daphne snaps back.
“Okay, girl wearing a Burberry tracksuit–”
“Uh, ma’am? Is that all?”
Daphne blows a long breath out of her nose. She glances at Scooby, who is sitting in the back seat but with his head on the arm rest between them. He looks up at her and whuffles what she swears to God sounds like, “please.”
“No,” she tells the machine, sighing. “And a BLT.”
“Sweet!” Shaggy cries and holds his hand up for Scooby to high-five. He ruffles the hair at the top of his dog’s head and beams over at Daphne like she’s won him a prize. “The Scoob looooooooves bacon.”
In the fourth grade, Daphne found Shaggy in the hallway, shaking so hard she thought his teeth might fall out. Some kid from the grade above–Red something–was standing over him, calling him names. Daphne hadn’t really thought about it before punching that kid in the nose. She hadn’t thought about it before crouching down in front of Shaggy and trying to get him to breath steady. She hadn’t known what to say, but Shaggy had joked, “Like, wow, you hit like a girl,” between shuddering breaths and Daphne had laughed.
Nobody in Daphne’s family is good at telling jokes. Not like Shaggy is.
“Eat those quick, you two. I’d hate it if the scent of delicious burgers lured the pirate ghost to us.”
Shaggy swallows a big bite. “Like–you didn’t say there would be a ghost!”
Daphne is neither convinced nor unconvinced of the reality of ghosts, so she shrugs. “I said we were going to check out the fair grounds! I thought you knew they said it was haunted.”
“Like, why would I know that?”
“It was all over the news!”
“I don’t read the news!”
“Well, ghosts probably aren’t real,” Daphne assures him as they pull into the parking lot.
“‘Probably’ is like, not as reassuring as you think it is, Daph,” Shaggy mutters, but gets out of the car and directs Scooby to get out, too. He’s still gently high, and his belly is full, and it’s not dark out yet.
And anyway, Daphne’s here. He’s seen her split an apple with an arrow from across two tennis courts.
“C’mon,” Daphne wheedles. “I’ll make you guys some Scooby snacks when we get home.”
Scooby’s ears perk up.
Shaggy’s about to answer when another car pulls into the lot–with any luck, it will be fairgrounds staff and they’ll be told to leave.
Instead of that, Fred Jones gets out of the car with a girl that Shaggy has Latin class with. Shaggy knows three things about Fred Jones:
- His father is the mayor.
- His Student Council presidential campaign rested on cafeteria and vending machine reform.
- He and Daphne kissed once, in the seventh grade, on a dare.
“Jones, what are you doing here?” Daphne asks, crossing her arms over her chest.
Shaggy guesses it wasn’t a very good kiss.
“Hi, Daphne,” Fred says. He likes Daphne. It’s not that he can’t tell that Daphne basically hates him; he can, but he likes her anyway. He likes what her hair looks like when she sits in front of him, and how she grips her pencils too tightly. As far as he can tell she hates him because he beat her for Most Promising in their freshman year yearbook, which seems unfair because it’s not like Fred voted for himself.
Velma knocks his shoulder with hers. “They’re saying a ghost broke that roller-coaster that fell apart last week,” she says. “We’re going to figure out what really happened.”
“So, like, you don’t think it was a ghost?” asks the guy Daphne’s with, a tall and shaggy-haired kid Fred’s pretty sure is stoned. “Ha, ha. Ghosts. Right?”
“Right,” says Fred, as reassuringly at he can. The guy seems nervous, so Fred puts a hand on his shoulder. “I’m sure it was just mechanical failure.”
“Anyway, what are you doing here?” Velma asks, eyeing Daphne Blake skeptically. Fred had kissed her in the seventh grade and told Velma afterwards that her lips had tasted like clouds. Velma had said that clouds had no taste.
“Scoob and I just came for, like, the free burgers,” says the guy with Daphne, who Velma is pretty sure is named something preposterous like Orville or Neville. “We hunt neither ghosts nor, like, pirates.”
“Well, great news for you: we’re going to prove it wasn’t either of those stupid ideas,” Velma tells him. “Right, Fred?”
“Sure thing,” Fred says.
Daphne snorts, then tightens her ponytail. “Whatever,” she mutters. “Come on, Shaggy.”
Velma frowns. “Wait–you do think it was the spirit of the Dread Pirate Roberts?”
“The existence of the afterlife can neither be proven nor disproven,” Daphne says, and throws a grin over her shoulder that’s so sharp Velma feels her lip get bloody from it. “All I’m saying is, if it was the spirit of the Dread Pirate Whats-His-Name…” she shrugs, and shoves the sleeves of her track suit up over her elbows. Fred’s smile widens.
“Then I’m gonna fight a fucking ghost.”