I just read the phrase “In Tennesse, William Shakespeare” as Tennesse Williams Shakespeare and I am honestly having so many bad ideas…
It’s just Shakespeare plays but set in the south and EVEN GAYER
I’m sorry, I just really love this idea and wanted to expand on it.
- A boat washes up in a Louisiana bayou with only a handful of passengers left alive. The young woman who the boat was supposed to be taking to her destination is forced to disguise herself as a man for protection, and ends up in the employ of a local rich, closeted bisexual landowner. She/he is tasked with seducing a local heiress who has sequestered herself away in mourning for her brother. Meanwhile, servants of the heiress’s house attempt to prank the v old fashioned, v southern head of staff by forging a love letter. The temperature never drops below 98%. It’s sweltering. Everyone is horny.
- The son of an old money southern millionaire must return to his families sprawling estate after his father dies mysteriously and his mother quickly remarries his uncle. On one incredibly hot night, the young heir thinks he sees the ghost of his father out in the swamp, who tells him that he was murdered, and that he must be avenged. Trapped in the confines of the estate and exasperated by the heat, the heir begins to decline in health. He feels pressured to seduce and marry the daughter of his parents irritating colleague, despite the fact that he is deeply in love w his best friend from college. Fighting w his parents about their role in his fathers death and the complexities of the socal norms he is forced to uphold ensues.
These were the only one I could think of that would work 😂 If you can, feel free to add more!
Tag: william shakespeare
OH NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
okay, brief thesis statement: as you like it is the play where you most directly see shakespeare trying to cope with marlowe’s death.
i’ll explain that in more depth, but first, a little bit about marlowe!
christopher (kit) marlowe was not only another playwright in the period—he began writing before shakespeare, and he basically created elizabethan theater as we know it. he was lower class (the son of a shoemaker), and had by some miracle managed to get scholarships to posh schools, starting with the king’s school in canterbury and continuing up through cambridge, where he studied classics. and by “studied classics” i mean “became the first person to translate ovid’s deeply filthy sex poems into english,” because that’s the sort of person marlowe was. he subsequently quit academia to go into theater, which was, as my prof put it, basically the equivalent of announcing today that you want to put aside your ivy league education for a career in porn.
let me give you a sense of the kind of person kit was
- we know a lot about his life from his arrest record
- he might have been a spy???
- by which i mean he ~mysteriously came into money~ while at cambridge (we know because we have records of the moment when he started buying drinks for everyone. kit.)
- he might have been an atheist???
- whether or not he was, he definitely was fond of telling people (in 16th century england!!!) that jesus was gay
- i’m not kidding
- he’d walk up to people and be like: “so, jesus christ was totally fucking his apostles. thoughts?”
- IN SIXTEENTH-CENTURY ENGLAND
- so it is probably not surprising that he died violently at a young age (*quiet sobs*)
- he got stabbed in the eye in a bar fight at age 29
- but wait! even his death is mysterious!!!
- twelve days before his murder, a warrant was issued for his arrest on vague charges of blasphemy. ten days before, he was called up in front of the privy council, but they didn’t meet for some reason. there were rumors that he was going to implicate some pretty high-up nobles in a SECRET RING OF ATHEISTS.
- there’s more, but basically, there was SHADY SHIT going on, and in the coroner’s report, it says refers to the fight as being over “the reckoning,” which could either be SUPER OMINOUS or be about who would pay the check.
which brings me to as you like it! given the coroner’s report, the lines quoted in that post i reblogged read a little differently:
When a man’s verses cannot be understood, nor a
man’s good wit seconded with the forward child
Understanding, it strikes a man more dead than a
great reckoning in a little room. (III.iii.9-12)ha
hahaa
hahahajsdkh;aseljdlk;fgjehoirjasfd;lk
(and this comes in a scene where the characters discuss poets/poetry and whether to be “poetical” is to be honest, and how truth can be communicated through fiction aaaaAAAAAAAAAAHHH)
*muffled weeping*
see, shakespeare and marlowe were really, really close. they had a friendly rivalry
and were having all the sex. their plays constantly reference/one-up each other. marlowe wrote the jew of malta, so shakespeare wrote the merchant of venice. marlowe wrote edward ii, so shakespeare wrote richard ii. and so on and so forth. in each other they each found an intellectual equal, someone who could not only keep up, but challenge them—something pretty rare for both of them.and then, out of the blue, marlowe dies.
a lot happens out of the blue in as you like it. the plot moves forward with these lightning-strike revelations (suddenly, they’re in love! suddenly, a lion! suddenly, the duke goes to live in a monastery!). it’s comic, but also disorienting, and the characters struggle to keep their balance as their world shifts around them.
the through-line of love at first sight, which constitutes several of those sudden, shocking events, isn’t subtle, and is most clearly pointed out by phoebe when she says:
Dead Shepherd, now I find thy saw of might,
‘Who ever loved that loved not at first sight?’ (III.v.82-83)want to know why that bolded line is in quotes? because it is a quote.
from marlowe.
specifically, from marlowe’s poem hero and leander.
so, shakespeare bases the main plot conceit of ayli on a quote taken directly from marlowe (ABOUT LOVE AT FIRST SIGHT I’M GOING TO DIE) and then proceeds in the same play to reference the “great reckoning” and to write, in a speech by jacques: “the scholar’s melancholy, which is / emulation” (IV.i.10-11).
THE SCHOLAR’S MELANCHOLY, WHICH IS EMULATION
THE SCHOLAR’S MELANCHOLY, WHICH IS EMULATION
*lies down on the ground*
*tries not to cry*
*cries a lot*
okay i’m losing the ability to talk about this coherently but basically shakespeare was devastated by marlowe’s death and as you like it is his tribute to kit and it destroys me
just moving along like everyone else 