The existing body of scholarly writing about RPF has tended to focus on RPF as an ethical gray area (McGee 2005; Arrow 2013; Thomas 2014), a fan practice that interrogates the constructed nature of celebrity and the ways fans similarly construct their own online personas (Busse 2006a, 2006b; Arrow 2013), and an increasingly complicated practice for fans to navigate and maintain the fourth wall as celebrities perform public versions of their private selves on social media (Hagen 2015). A recurring point of consideration in both scholarly work and fan debate about RPF is whether fan fiction based on a real celebrity dehumanizes its celebrity subject or whether the subject of RPF is a textual public persona that is significantly distanced from being a “real person.”
(via aethel)