Happy Hanukkah, everyone, from these two jerks! I’m posting this a little early this year. Line art by the amazing Ro Stein & Ted Brandt, and colour art by @deecunniffe.
I want to point out what a technical achievement this story is on the art side. There’s a real joy to creating a whole story in eight panels, but this? This is some magic. We introduce four new characters. In panel 5, SIX PEOPLE are talking. SIX. In the world of comics, that’s almost un-doable.
Yet Ro and Ted arranged everything so the conversations flow and are sensibly grouped, all the “acting” is fantastic, and then Dee laid on top these beautiful, almost fairytale colours – look at the subtle work, the blush in Henry’s cheeks, Frank’s five o-clock shadow, the shine of the wine bottle’s glass surface, the light texturing in the backgrounds… and of course the snow! This is some first-class illustration work on an incredibly hard script. (I fear Ro and Ted always get me at my worst – my very formalist script for them in the 24 Panels anthology was no cakewalk either. (The problem is, they’re just so damn good at it… check out their work on the Image comic Crowded!)
So we know how two of the favorite superhero peril tropes are A) Threaten a Loved One and B) Villain unwittingly taking the in-civvies Hero as a hostage. Venom and Eddie’s situation presents an opportunity for a special hybrid of both.
Because honestly, both Venom and Eddie have all the subtlety of a firework stand in a bonfire and X Evil Organization is bound to tail the burly man-eating monster to Eddie’s home and
Goons, breaking down the door: Alright Brock, no more games
Eddie: What
Goons: Don’t play dumb here, Eddie. We know the truth and our employer is determined to have a long, violent chat with the bastard eating all of his men. So we’ll make this simple for you:
Goons: Where is your 10 ft tall cannibal boyfriend?
Eddie:
Venom, inside Eddie: Eddie. Eddie, tell them where he is
Eddie, going thru every stage of grief and inventing new ones: ………………..um
Venom, all up in Eddie’s everything, every slime cell of him laughing to tears: Tell them where your boyfriend is, Eddie
You cannot make fun of a kid’s hard work and then expect him to think it amounts to something.
THANK YOU!
Whenever they interact, Tony mocks and belittles Peter’s efforts, albeit subtly.
“Can you even see in these?”, “You need a full head-to-toe upgrade”, “Everyone else thought I was crazy”, “the adults are talking”… Tony could hardly have done a better job of destroying Peter’s confidence if he’d been actively trying.
And then he acts surprised when Peter reports everything to him, seeking approval that he is Superheroing the ‘right’ way like Tony Stark wants him to, and is convinced that he needs Tony’s suit to be a hero.
Because Tony convinced him that he wasn’t enough by himself.
Venom’s talk about being considered a loser on his planet, his quick fondness for Eddie, his pleasant surprise when Eddie first called them “we,” and his sudden switching of sides all lead me to conclude that like in the comics, movie!Venom is a big romantic sap that wanted a fairytale symbiosis with a perfect host and all the other reind- Klyntar can’t even deal with his nonsense.
No wonder Riot was so keen on finding him and getting him back on Plan Let’s Get Ready to Invade These Assholes. It’d been six months since he’d seen Venom, and he just knows that without supervision that fucking jackass has gone and fallen in love with the first son of a bitch that didn’t die on him and talked to him halfway decently and now he’s not gonna want to conquer the planet.
And sure enough, he’s not even surprised when Venom turns up all traitorous and married. He gives him one, fleeting chance to get in the fucking rocket, you lunatic, and then he’s just gonna fucking eat him. He’s tired of this, Venom. Absolutely done with this shit.
Riot: GODDAMMIT, VENOM, YOU ALWAYS DO THIS. LOOK AT HIM. YOUR TASTE IS GETTING WORSE.
Venom: HE GAVE ME TATER TOTS AND CALLED US “WE” AND “BUDDY.” WE KISSED IN THE FOREST UNDER THE MOONLIGHT. WE WILL HAVE SEVEN CHILDREN.
Riot: VENOM, DROP THAT THING RIGHT NOW, I WON’T TELL YOU AGAIN. HE SMELLS LIKE SWEAT AND FAILURE.
Some Venom (the organism) story ideas, separately or combined as seem good:
Venom is not terribly aware of the concept of gender and has certainly no concept of it as corresponding to any particular anatomy.
Venom basically considers all mammals to be one sort of organism, and is still waiting for Eddie to chew hraka.
Venom considers gametic reproduction to be, frankly, so primitive as to be mortifying, but doesn’t bring it up out of politeness. (Venom’s concept of politeness is not recognizable as earth-politeness.)
Venom is not able to watch television/read/etc without Eddie’s vision and language centers doing the heavy lifting.
Venom is an obligate anaerobe and finds Eddie’s ability to breathe oxygen badass (but probably wouldn’t tell him that.)
Venom thinks Eddie’s endoskeleton is hilarious: opposable thumbs! Sure, I’ll just contract a muscle to pull on a tendon to pull a lever to pull on another tendon to pull on another lever! What a great way to interact with your environment at all.
Venom doesn’t know what a slime mold is but surely it must be the pinnacle of earth’s creations.