I was thinking a lot about this moment. Somehow it feels like the agni kai was a watershed moment not only for Zuko, but also for Iroh.
I think this something that Iroh is intensely ashamed about – and is the source of all the patience he has with Zuko and his determination to make things right for him.
Because Zuko’s scar is not just a testament of Ozai’s cruelty as a father, but is a scar on the soul of the entire Fire Nation.
Their supreme ruler publicly mutilates on his own son, a 13-year old child, who merely spoke the truth about a nation that in a quest for power has lost perspective on the worth of human life – and everyone cheers.
The scarring and humiliation of the young prince (who should be really the symbol of the future to his people) is a grotesque public spectacle.
And Iroh, who was once next in line to leading these people, former great war hero, one of the most powerful benders, and still one of the nation’s leaders – all he can do is to look away.
The boy who spoke the truth, who stood up for kindness, who tries to do the right thing, who refuses to fight his own father, who begs for forgiveness – he faces completely alone his horrible punishment, and nobody speaks up for him.
And I think this is Iroh’s moment of truth – that disagreeing privately is not enough, he cannot look away anymore. He realizes that healing this boy could be the chance to heal the Fire Nation, that he is maybe destined to be their leader, but not from the throne of the Fire Lord. He has to get Zuko through this trauma and show him kindness, love and acceptance in a way he has never experienced it. He has to teach him that speaking up and saying sorry should not and will not lead to harsh punishment, that kindness is not weakness and cruelty is not strength; that honor is not violence, but doing the right thing.
Whenever I look back on the early episodes of Avatar: the Last Airbender, I realize that Iroh was probably acting a little ridiculous on purpose. He knows that Zuko still has fresh emotional wounds from his cruel, uncompromising father and sadistic sister, and the one source of softness and warmth in his life, his mother, is long gone. Iroh always tried to be a friend to Zuko, but now that his nephew has been scarred and banished, he tries to be goofy and funny and carefree so desperately hard because all he wants is for Zuko to smile and relax again. If making a fool out of himself is what he has to do, he’d do it a hundred times over.
how dare you give me iroh feels all these years later
that, and it gives him cover to slow things down.
he doesn’t want to capture the Avatar, but he can’t tell Zuko that; he needs time to help his nephew get out of the mindset Ozai’s abuse taught him.
nobody’s going to listen to him if he just tells them to stop – it’s too blatant a betrayal of the Fire Lord’s wishes – but he can play the buffoon; when they get too close, he can lose a piece of his pai sho set and delay the entire operation to replace it.
because he’s a loving uncle, and this is what Zuko needs on that level; but he’s also a genius strategist and an experienced conspirator, and this serves his purposes on a few levels
there’s even a pretty damn direct implication that he’s doing this deliberately. it’s easy to miss at the time, because you don’t have the context, but that first time we see Iroh delay Zuko and the soldiers chasing Aang? it is, as I mentioned, when he loses a piece of his pai sho set, only to realise he’d been carrying it all along
specifically, it’s the White Lotus tile – the one that gave its name to the order of benevolent meddlers he’s secretly been a member of this whole time. there’s no way that’s a coincidence.
Pretty sure I’ve said this before, but Uncle Iroh is possibly the most brilliantly sophomoric character ever written.