generic-foucauldian-project:

Of all the many wonderful, complex characters in Fullmetal Alchemist, I find that Izumi Curtis is one of the most nuanced and original, both within the series and in the shounen manga field. In a genre full of dead mothers and overbearing harpies, Izumi stands apart as a physically and magically talented fighter who is also an “ordinary housewife”; she has, most unusually for a shounen manga female character, survived not only childbirth but also an horrific, failed attempt to resurrect her dead baby.

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She is chastened but not broken by the experience. Izumi is the only female alchemist within the series to have seen “the Truth.” Her payment is highly gendered – I take “my organs” (or “some of my insides,” as another scanslation group renders it) to mean her womb and ovaries. And she is the only character whose payment is neither returned nor compensated for with automail or a surrogate body*.

I think it is so gutsy (no pun intended) of Arakawa to have Izumi remain in this state. It feels so radical to see a woman whose worth extends far beyond her ability to give birth. Who lost a child but still finds meaning in her family, work, and community. Who has a fulfilling life but still mourns for and thinks about her lost baby, even after her guilt is assuaged. In another author’s hands, Izumi would be long dead, a woman with no value beyond her womb, existing only to provide fodder for another character’s development. Or she would be a villain, a broken woman madly hungering for what she cannot have. Or she would have her organs restored, and be shown pregnant or holding a newborn at the series end. Instead, Arakawa gives us a female character who is both happy and wanting, powerful and poignant, and presents those dualities as valid, inseparable aspects of a whole.

*Within the context of the FMA universe, adoption is shown as an option, but one which the Curtises appear not to have pursued. Surrogate pregnancy, I believe, is not discussed within the series.

top whatever number of things greed from fma:b did

greyjoying:

1. when he was like fuck you dad I have friends and a cool fur coat and glasses

2. when he was about to die and took time to insult envy’s fashion choices one last time

3. when ling was like hey cool use my body I guess and greed was like umm…I think you humans are meant to be like…upset about this…..and ling was like cool! don’t care!

4. when greed spent the rest of the day telling people ling was a cool guy

5. when greed did that dumb crouch pose to talk to ed

6. when may chang found shao may and clapped even though he didn’t know who the fuck they were

7. when he gave lings message to ed and ed was like what does it say and greed was like hell if I know. I can’t read.

8. when greed liked to sit on roofs

9. “I don’t want to team up with the full metal alchemist” ling: we should team up with ed. “ok sure”

10. when everyone was fighting and greed just picked up ren and looked unamused

11. when ling was fighting and greed complimented him like in a little speech bubble at the side

12. when greed climbed on a tree for no reason

13. when greed sat on a roof for presumably a whole day for no distinguishable reason

14. when greed was like “I GUESS I can help save the world since there’s time before my next Plan which is definitely real, and I am definitely planning”

15. when greed spent a full five minutes telling injured people not to come fight

16. when greed saved a guy and then yelled at him for almost getting hurt

17. when ling was like “you just want friends” and greed was like “lmao you got me there”

18. when greed was like fuck you dad (the reprise) and floated to heaven

Do you ever think about the people of amestris who lived just outside that giant transmutation circle? Because I distinctly recall seeing it cut through a town. What did they think when that giant beam of red light happened and suddenly everyone down the street collapsed. Birds falling from the sky. That nice neighbor and his cattle all laying still on the next field over. The like five minutes or so of terror of wanting to run over and help but are wondering if they’d just collapse too.

phantomrose96:

SHIT

I mean  the country was designed to fit exactly to the edges of the circle, but people don’t work like that. Towns are going to bleed over the edges. What must have been thousands of people lived in communities straddling the circle’s outter edge, and you’re 100% goddamn right about the terrifying things they must have witnessed.

In fact, I’ll bet anything this more or less happened in Xerxes too. People way out on the periphery whose communities got cut down by 50%, or 70%, or 90%, but did not get wiped out entirely. Xerxians who’d gone across the border for a day trip to get water and came back to find their community slaughtered. There might have been small, pocket communities of Xerxian survivors. People Hohenheim never found because the very first thing he did was get the hell out. People who experienced exactly what you described, but never saw it undone.

Holy shit

oreramar:

A thought in my head, which I am getting out by dropping it into the abyss of tumblr…

If you’re a fan of the Fullmetal Alchemist manga/Brotherhood, you’ve probably seen people analyzing the deaths of the homunculi and the ironies therein before, whether in full essay format or in super simplified lists. Gluttony is eaten by an ally/brother homunculus, Greed finds peace and satisfaction in self-sacrifice for the sake of the friends he always wanted and actually had in the end, Envy commits suicide after being called out on his jealousy of humans despite his outspoken derision of them, etc. etc. 

I recently saw one of these simplified lists elsewhere online and one of the points this person put up bothered me. Well, two, actually, but the one about Pride is something I’d want to get into separately if at all.

This is about Lust’s death, and Mustang’s part in it. This is about the idea – held by some fans, but not all, I’m certain – that it was ironic because she was killed by a womanizer.

This is based on a misconception. I want to pick at it a little bit, for the sake of my own brain if nothing else. I’m sure others have made this analysis before. I’m going to do it over myself anyway. So, here we go:

Mustang was not, in actuality, a womanizer, or anything similar. He just made sure he appeared that way for his own reasons. For one thing, it made him seem less of a threat to senior officers as he climbed the ranks. A young officer with obvious laser focus on higher and higher seats, on more and more power, on getting into positions of command further up the chain and giving all he had to get there? That’s a concern. But a young officer with an almost lackadaisical attitude about him, one who, yes, does his job and all and even generally seems to do it well, but who primarily seems to have flirting and dating and general fooling around on the mind whenever he can spare a thought? Not such a big deal. Sure, he’s still getting promotions despite his relative youth, but it’s not like he’s gunning for them, right?

For another, it masks his information network, his alchemical notes, and the off-the-record missions he gives his closest and most trusted subordinates. Those dates he goes on, almost every time with a different girl? Totally just dates. He’s a young playboy officer. Everybody knows it. It doesn’t even bear thinking about.

Except…no. Not dates. Not girlfriends or romantic or sexual interests. Those are his adoptive sisters masquerading as the interest of the day, and those are information trading meetings masquerading as fun, easygoing, inconsequential nights out on the town.

His alchemy notes, encrypted as a harmless little black datebook. This is entirely in keeping with his persona. A cookbook written by a scientific researcher with no further explanation or apparent reason honestly stands out more. But Mustang’s datebook? Who’s going to think twice about it? For that matter, who’s going to want to sit and try to decipher whatever’s on the surface of that just on the assumption that there’s more to it?

And those missions. Everybody who knows of Mustang’s office habits knows that when Lt. Hawkeye is out on leave, Mustang takes it as an excuse to slack off and fool around on the job. Without her watchful, strict, no-nonsense eye on him, he feels free to call up his favorite ladies and pass the time in flirty chitchat. What an idle fool he is, unable to discipline himself and focus on anything other than pretty women and petty charms when left to his own devices, right?

Only on the surface, really. The readers and watchers of the manga and Brotherhood know better. We got to see “Elizabeth” on the other end of the line. We caught the double meanings of their conversations after that was revealed. But to an outsider, who doesn’t already know what’s up? Clearly Mustang’s up to his womanizing ways again, and there’s nothing more to it.

So that’s Mustang and womanizing. Now let’s bring it around to Lust and the lead-up to her incineration. Let’s look at Mustang’s motivations to crisp her down to ash and bones.

First, there’s her part, however small, in Hughes’ death. Mustang’s been on the hunt for his friend’s killer since it happened of course, and while Lust wasn’t the one, she pretty much admitted in their confrontation that she was at least involved. She said it was too bad she couldn’t finish him off herself. That’s the first thing that set him off, even before attempting incinerations.

Second, she nearly killed Havoc, one of Mustang’s subordinates. She definitely paralyzed him, as we discovered later, but there was certainly intent to kill. That drove him to try to rip the stone from her very chest in an attempt to save Havoc’s life. She also attempted to kill Mustang after this, and, most cruelly of all perhaps, left him to slowly bleed out while watching Havoc do the same.

And finally, when Mustang caught up with her, she was about to kill Hawkeye.

Vengeance and protection, for the sake of his friends and loved ones. That’s what drove Mustang to go as far as he did. That’s why he reduced her to ash over and over and over again, until her apparent immortality ran out and she faded away forever.

Lust wasn’t killed by a womanizer. She was killed by someone who simply wore the mask of a womanizer. 

Her death wasn’t ironic because she was killed out of lust, or even by a man who lusted.

It was ironic because she was killed by a man who loved.

FMAB does breasts right.

mod2amaryllis:

nerdfighterwhatevernumbers:

today-only-happens-once:

theishvalanalchemist:

i-am-mother-universe:

theishvalanalchemist:

strawbebehmod:

theishvalanalchemist:

dylanyonah:

theishvalanalchemist:

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Their boobs move. Like…realistically move. As in, the way actual breasts would motion if a woman made that movement without an over the top exaggeration and the camera is framed in a way so that it’s clearly not supposed to be sexual the way most anime would stage it. The scenes in question are meant to be taken seriously so the animators and direction is take things seriously. Either it’s just a character walking down a hall or clapping her hands. 

If this were any other action/adventure anime, the camera angle would’ve been something like this for Winry’s introduction:

This is weird, but what I find so sexy about Riza is, well… How she isn’t sexualized. Like, she isn’t a pure sex object in nonstop sexy outfits. She’s a beautiful military woman, and she dresses appropriately for the role. Along with that she’s NEVER used as the ‘sexy distraction’ trope that women often are used for. She has a good role, she’s a fighter, but also has a kind heart for her friends.

That and more are reasons Riza is my favorite female anime character, and FMAB is my favorite anime.

Well said my friend.

I think there was only one instance of jiggle physics and that was with lust but that was when they were trying to make a joke about havoc having a thing for boobs and the joke was more about havoc than lust having big breasts.

“You fell into my booby trap” (proceeds to paralyze Havoc afterwards)

What I also love is that their boobs are in equal proportion to every other body part. Like, yeah, a character might have bigger boobs, but she also had a big waist/hips/legs/etc to go with it, so the largeness doesn’t feel fake. Plus, they never draw attention to the sexual stuff, and the only exception was the joke with Havoc. And it was posed in a way that made it feel like less of a raunchy boob joke and more of a joke on Havoc and how his attraction to boobs is what led him to be deceived, which doesn’t leave female viewers uncomfortable, or feeling like their body is constantly the butt of a joke, like some other animes do

That’s a good point that I didn’t realize. All of characters in the show have equally proportioned bodies. 

Ed’s muscles get larger as he gets older but never reaches John Cena level of jacked since he’s still under 6 feet tall. He’s always presented as ripped and not ‘bulky’ like Sig or Alex. 

Riza is about the same height as adult Ed, but they have different body styles thus the word for her would be toned. She’s still lean but her muscles and body shape are the same aren’t ‘compact’. 

Fmab follows the basic body designs for males and female characters and doesn’t exaggerate a specific feature to the point where it’s comedic. It makes it’s bed, and lies in it.  

Every time I see a girl in just about any other action/adventure (shonen) anime I just think:

“is your back okay? You need a doctor? Hey Thomas! Call Lucy a chiropractor!”

or better yet:

“Good Lord! Get this man a sandwich!”

The only real exception to the whole body proportion thing is ALEX LOUIS ARMSTRONG

But his ridiculously bulky muscles are used largely as a comedic element, in which the overly toned nature of his body is commented on as the “freak of nature” kind of idea and definitely not presented as if that’s some kind of expectation for anyone else in the show. 

#fma#whispers: its bc a woman made it

don’t fucking whisper it scream it from the rooftops: IT’S BC A WOMAN MADE IT.