This is part 1 of this comic series I’m starting ! 😀 This is gonna be an ongoing comic with several parts. Idk how many parts I’m going to do exactly?? But so far I have 8 in mind. I’m most likely gonna do more! I’m not just going to focus on love even though this is a kiribaku comic. I’m going to focus on each of the emotions and you guys are gonna see how they interact with class 1-A and 1-B !! ^ . ^
And no worries, anger is very important to the plot so he will be mentioned again… And it will be explained later on how Bakugou got into this mess in the first place lol.
I hope you guys enjoy!! I’m really excited for this !!
[DO NOT REPOST]
Deviant art: urbangurl123
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Miraculous Ladybug blog: fuckingchatnoir
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A short comic I made originally for Kiwi Magazine, an online anthology at my school. The theme this quarter was “wet,” and as I love mermaid lore I thought it was a perfect opportunity to depict an idea I’ve had for a long time, about a human creation/fall-from-paradise story from the perspective of mermaids. This was a challenge because i’ve mostly been working digitally for most of my art pieces, but I decided to make this comic with traditional pen and ink! it certainly does have a different, more intimate feel to making comics like this, ahaha.
The last image is inspired by a piece I made in high school that I’m still rather fond of and has stayed in my mind for the past two years, and I’m glad I was finally able to kind of build a kind of context around it even if the exact story of the fallen plane is one that isn’t told here.
Anyway, hope you enjoyed! Comic-making is very hard but I am so in love with it. :’D I do have more ideas for other stories set in this world, as well as a lot of incoherent thoughts about the interrelation between fantasy and history, although it might be some time before I get around to them.
Also I’m planning on putting up some of my thumbnails/concept drawings from this project on my Patreonso swing by and check it out if you’re interested in seeing more mermaid lore-y stuff!
i kept scrolling down expecting a punchline but no this is just a kickin’ rad adaption of that scene from ESB!!!! or, wait, of… the entire movies?????? omg
Bugs Bunny could singlehandedly defeat Thanos by dressing up as a TSA agent and setting up a metal detector in the middle of the battlefield saying that all metal objects must be removed if you want to pass on through now stick around for my 2,000 word essay on just how effectively he would convince The Mad Titan to comply
“For shame, doc! Dontcha know we got other folks waiting?”
(Thanos looks behind him and sees dozens of Bugs Bunnies dressed as angry yelling travelers with huge bags of luggage. Thanos rubs his neck guiltily and begins sliding off the gauntlet)
In December of 1940, America still hadn’t entered the war.
There were a lot of Americans – such as the 800,000 paying members of the America First Committee – who looked at fascists massacring their way through Europe and declared “that’s not our problem.”
Captain America was created by two poor Jewish Americans, Joe Simon and Jack Kirby, with the specific intent of trying to convince Americans that entering the war was the right thing to do. It wasn’t easy – Kirby went far beyond what was expected of artists at the time, penciling the entire issue with a deadline that would have been difficult for a two-man crew to pull off.
Captain America punched Hitler right on the cover, at a time when a majority of Americans just didn’t feel like doing anything decisive against the Nazis.
Kirby and Simon faced considerable resistance for their creation, including steady hate mail and outright death threats.
Once, while Jack was in the Timely office, a call came from someone in the lobby. When Kirby answered, the caller threatened Jack with bodily harm if he showed his face. Kirby told the caller he would be right down, but by the time Jack reached street level, there was no one to be found.
Both creators enlisted after America entered the war. Kirby, as an artist, was called upon to do the extremely dangerous work of scouting ahead to draw maps. He also went on to co-create Black Panther in 1966.
They didn’t create Captain America to be an accurate depiction of America-As-It-Is. The character was meant to inspire and embolden, to show America-As-It-Should-Be.
The subject of where the Vibranium for the shield came from actually never came up for decades of comics, until it was finally addressed by Black Panther’s writer, Christopher Priest, in 2001. Priest never shied away from acknowledging America’s racism, but he also understood that Captain America represented an ideal, intended to inspire Americans to be better.
The story mixed together a “present day” discussion between Cap and T’Challa with flashbacks to when Cap met the Black Panther ruling Wakanda during World War II.
FLASHBACK:
PRESENT:
PRESENT -> FLASHBACK
PRESENT:
The Vibranium was given, freely, by one good man to another good man.
It is right to rage against the injustices done by our governments. We must call them out, and we must fight for what’s right.
But if you can’t even stand to see the symbols created to inspire people to be better, and rail against those,then you’re just confusing cynicism for realism.
This was a masterful callout that deserves a place in the callout hall of fame, which I just realized needs to exist. It strikes the perfect tone of, “I’m not criticizing where you’re at on this, I’m holding my hand out and inviting you to step up to the next level in your thinking about it.”
That’s the kind of callout that people can sometimes actually hear, not just for entertaining the bystanders. Truly, we need more of this.