Y’all know when Mulan is sitting in the rain and watches her parents silhouette disappear as the candle is blown out and then her eyes squint in determination and the music that starts to play and you see her go into the family temple and light a match and bow in respect and then sneak into her parents room and switch the scroll for her hair brooch and then the way her reflection is shown as she pulls the sword and cuts her hair?? It’s literally more iconic than any marvel movie
Y’all know that there is heavy symbolism in that scene to show that Mulan is the spirit of the Great Stone Dragon and that’s why Mushu wasn’t able to awaken it?
im sorry What!! i never knew this! my life feels fuller!!! ahhhh
Mulan sits in the rain underneath the statue of the Great Stone Dragon (who is looking down on her), and suddenly decides on a course of action. She looks up, resolved to go to war in place of her father and runs into the temple where she lights the match and beseeches protection for her family. The stone she bows to and that we see lit up by lightening strike is that of the dragon, whose eyes are looking out after her, lit from underneath by the candles. The scene transitions to the divider in the house that also has an icon of the dragon. where she replaces her hair comb with the summons. Then we see the sword hilt, also the dragon, and as she draws the blade we see her face replace it. She ties up her hair, then as she opens the wardrobe, the handles are also the dragon. After donning the armor, the view shows her facing us, with the hilt of the sword (the face of the dragon) in front of her face, where she then turns the sword to reveal her face, and sheaths it. As she leaves, we flash back to the temple, and the eyes of the dragon flash as her grandmother wakes up.
The Great Stone Dragon resides within her. She is the protector of the family.
After this explanation, the scene where Mushu cannot wake up the stone dragon makes so much more sense. I appreciate the symbolism so much more. I noticed the dragon but didn’t notice she was constantly juxtaposed with the dragon!
In fairy tales and fantasy, two types of people go in towers: princesses and wizards.
Princesses are placed there against their will or with the intention of ‘keeping them safe.’
This is very different from wizards, who seek out towers to hone their sorcery in solitude.
I would like a story where a princess is placed in an abandoned tower that used to belong to a wizard, and so she spends long years learning the craft of wizardry from the scraps left behind and becomes the most powerful magic wielder the world has seen in centuries, busts out of the tower and wreaks glorious, bloody vengeance on the fools that imprisoned her.
That would be my kind of story.
When
Princess Talia was fourteen, her eldest sister was placed in a tower.
Princess
Adina was eighteen by then, and so of a marriageable age. She had grown quite
beautiful, though she was more willful than winsome, and she did not care for
the notion of the tower very much at all. Their mother did her best to persuade
her on the subject. After all, the queen herself had been eighteen when her own
parents had sent her to live in that very same tower, to be safely tucked away
until her husband could be chosen, and then ride out to claim her. A tradition
going back ages and ages.
“It was
such a sight,” their mother said, wistfully. “I had been alone for so
long. Reflecting upon the nature of the world, and my place in it, and what it
would mean to serve my kingdom. And the solitude was difficult. But then one
bright morning I saw a vision of a gallant knight riding towards me; and I knew
I would never feel lonely again.”
“Then
you had best make certain you pick a strong man to be my husband,” Princess
Adina had replied. “For if I go to that tower you can bet I will spend my
time honing my skills with a blade, rather than staring wistfully out of
windows. And any man who thinks to claim me for a bride by anyone’s leave save
my own will need to defend himself.”
Their
mother had tutted, and their father had rolled his eyes; and when Princess Adina’s
belongings were packed with a very pointed dearth of swords or spears or
knives, it was Talia who slipped a wrapped sabre into the travel wagons, and it
was their middle sister, Devorah, who tied another to the underside of the
first food cart to leave for the tower.
Barely
a few weeks had passed since Adina left the castle, however, before word began
to spread of dragon sightings in the south. The king and queen, of course, saw
this is a good sign; and they let it be known that any lord bold enough to slay
the dragon would be granted leave to rescue Princess Adina from her tower. It
seemed all too fortuitous, for surely any man who could defeat a dragon could
handle a willful princess; and Adina could hardly deny
the bravery or skill of any such person.
“It is
perfect,” their mother had said.
That
was before the dragon reached the tower.
Talia
had been present when the messenger had arrived, bursting hastily into the
hall, and speaking in broken tones about barricades destroyed, and mountains
crossed, and ancient enchantments broken as the dragon had forged its way
straight to the hidden princess. Rumours abounded of the dragon absconding with
Adina; though some varied as to whether she had been seen clutched, terrified,
in the menace’s claws, or riding on its back, whooping loudly. (Calling for
help, the court agreed – if anything; the confused descriptions of startled
shepherds were unlikely to be too reliable, under the circumstances, of
course).
The
matter of rewards changed, of course, and so it became that any brave soul –
lord or no – who could rescue Adina from the dragon could claim the princess
for their bride. Talia worried, but she didn’t worry too much. She was of a
mind that if the dragon was still alive, then it was likely because Adina
wanted it that way; and her sister was, at least, out of the tower she had held
such contempt for.
Not six
months after the incident, a story came back, too, of a renowned hero who had
nearly slain the dragon at its caves in the west; only to be disarmed by
Princess Adina herself, who, by his report, made a very rude and anatomically
improbable suggestion, before knocking him down a mountainside.
The
king and queen seemed convinced the report was nothing but slander; but Talia
was inclined to give it far more credence than tales of her sister weeping
whole rivers of tears or cowering beneath the dragon’s glare.
It was
around that time that Princess Devorah began sneaking out of the palace at
night.
Talia
discovered this one evening while in the midst of her stargazing. If her eldest
sister could be said to be beautiful and headstrong, then it would be easy to
claim that the middle sister was plainer, and yet more charming. She owned a
pale blue cloak, that suited her quite well; but that stood out, too, in the
moonlight, as she slipped away through the palace gardens.
This
went on for quite some time before Talia at last confronted her sister, who
blushed most tellingly at being discovered.
“I have
found my knight,” she admitted. “There is a doorway in the gardens, and it
opens to the fairy forest. I did not mean to go, the first night. It was only
that I saw the doorway, and I wondered where it went. And I could not help but
think that my own time to be locked away in a tower is coming swiftly, and what
a thing it might be to escape, and that perhaps fate had given me a chance. But
then I got lost in the fairy forest. It was strange and dangerous, and I feared
I had been too foolish for words, until my knight found me.”
Talia
saw the lovestruck look on her sister’s face, and felt a great well of sympathy
for her.
“Fairy
folk are strange and dangerous, but Mother and Father are not without pity. If
your knight is as noble as he sounds, perhaps they will understand,” she suggested.
But
Devorah only sighed, and shook her head.
“Perhaps
they would, if my knight were a man. But she is a maiden, as fair as moonlight.
And I would have her no other way.”
Talia’s
sympathy increased tenfold, at that, for she knew as well that their parents
might make some concessions, but that would be a bridge too far for either of
them. As she began to offer comfort, however, Devorah turned it back towards
her.
Her
sister told her, then, of the plan she and her fairy knight had concocted; that
when Devorah was taken to her tower, her knight would come, and open a door
there; and then Talia’s sister would away with her to the fairy realm for good.
The tower would sit empty. The suitor their parents at last settled upon would
ride out to find no one waiting for him.
“I
planned to tell you,” Devorah assured her, and then offered her a single silver
bell. “When it is your time to go to the tower, stand on the highest point
and ring that bell. A door will open, and you can come away with us. The fairy
realm can be frightening, but my beloved will help us, and as well-read as you
are, I am certain you will have more of an idea of what to expect than I ever
did.”
Talia took
the bell, and hugged her sister, and thanked her; though she admitted that she
did not know what she would feel, when it came her own time to go to the tower.
But Devorah only said it would be her choice, whichever she made.
And
indeed, after a year had passed, her sister went to the tower with none of the
fuss nor complaint that Princess Adina had put up. Being as charming as she
was, there were no lack of suitors for their parents to choose from; and it was
not long at all before the king and queen made an advantageous match with the
eldest son of a neighbouring kingdom, just beyond the western mountains where Adina
and her dragon still roamed.
When
the son came back empty-handed, accusations of trickery abounded. The western
kingdom accused the king and queen of withholding their daughter; and the king
and queen accused the western kingdom of stealing her to some unknown fate. In
the end matters were only settled once a scryer confirmed that Princess Devorah
had not been in the tower when her suitor arrived; and then, the dispute was
settled with the consolation offer of Talia in Devorah’s place.
The
rulers of the western kingdom demanded their princess at once; but Talia’s
parents insisted that she was still too young. A compromise was reached. Since
the tradition of the family was to ensconce their princesses in towers, and
since twice these towers had been breached and the princesses lost, the king of
the western lands offered a tower in his own domain. There Talia would stay
until she turned eighteen, and was of age to marry the prince.
Even
so, the king and queen would not have agreed, but for the fact that the western
rulers were renowned for their masterful sorcery and spellwork. Should conflict
break out, the armies they could amass would be formidable indeed.
“Sometimes
princesses must think of their kingdoms first,” Talia’s mother told her.
And so
Talia did think of her kingdom.
She
thought of it as she rode with her accompaniment through the mountains, and
when a great dragon’s roar split the air; and when her guards scattered in
fright, or else were pinned down by the claws of a great, emerald beast, with
eyes like flames and wings that sounded of lightning when they clapped. She
thought of it when her eldest sister slid down from the dragon’s neck, and
rushed to hold her, and begged her not to be afraid.
“You
come with us,” said Princess Adina. “The western prince is a monster, and
the rest of his family no better. I would not let a pig marry him, nevermind my
little sister.”
Talia
marvelled at how well-informed her dragon-riding sister seemed to be, but Adina
only waved off such questions.
“I go
into town all the time,” she said. “No expects to see a princess who was
kidnapped by a dragon wandering around a market square.”
“And
you spend enough of my coin for them to overlook it, even if they were
suspicious,” rumbled the dragon, though it sounded more amused than anything
else.
“You
are the one who demanded expensive company,” Adina returned.
Talia
watched them with fascination, and wondered if they might not be able to fight
an army themselves. But her sister was forced to sadly admit that her dragon
was nearly more show than substance, and that any well-armed force would take
them down with relative ease. Particularly when they could bring magic to bear.
And so
Talia thought of her kingdom, as she declined her sister’s offer, and sadly
sent both she and her dragon on their way. Then she set about encouraging her
guards to come back, and help gather the horses, so they could head out again.
She
thought of her kingdom all the way up to the tower itself. It was a bleak
spire. Once a sorcerer’s lookout and secluded place of study, according to
their guide; who then helped set up the wards and enchantments. Talia thought
of her kingdom as she bid everyone goodbye. As she made her way inside with her
things, and found that though the place had clearly been cleaned and dusted, it
was sparse and severe and cold. Dark stone twisted up the walls, and drafts
blew through the ragged edges of the window frames. The lights were magic, at
least, but only half of them worked, and there was little in the way of artwork
or decoration.
Talia
thought of her kingdom as she selected a room on the highest floor, and
unpacked her things.
But
when at last it was dark, and she was alone, she did not think of her kingdom.
She thought of herself, instead, and she wished she had flown away with Adina
and her dragon. She wished she could climb to the top of the tower, and ring
her silver bell, and escape with Devorah and her knight. She thought of the
unfairness of being sent to her tower too soon, and even vindictively imagined
having told her parents of Devorah’s escapades, and being spared this fate by
forcing her sister to do her duty instead.
And
then she felt an awful wretch, for thinking such a thing; and she cried herself
ragged until she fell into a deep sleep.
In the
morning, her mood was grim.
She
woke to the discovery that the usual enchantments were in place, which was
something of a relief. Princess Talia was educated in matters of diplomacy,
finance, tactics, mathematics, literature, history, geography, and many more
besides, but she had no idea of how to boil an egg. The tower gave her meals in
the kitchens, and warmed the hearth against the cold; and she spent her first
day mostly in that room, with one of the books she’d brought clutched firmly in
her hand, wondering how she was supposed to survive years of this without
going mad.
Or if,
perhaps, the intent of all this business with towers was precisely to drive a
princess mad. It would explain a good deal about her mother.
The
second night, she cried again, and the one after was much the same; but on the
fourth day, she woke to the grey dawn, and the cawing of ravens outside her
window; and she decided that if she was going to live in this tower for many
days yet to come, then she may as well explore it. She made a point of mapping
out all the floors, and figuring out how to reach the highest part, if it ever
came to it. And she found that the attic was full of old boxes of clothes.
Robes and hats and gloves and scarves, worn things and shimmery things, and a
very impressive collection of walking sticks.
That
was all well and good, and sorting through it gave her a diversion, at least.
She aired out some of the clothes. They were much too big for her, of course,
and the tower wardrobe could provide her with some very nice dresses. But she
imagined she might tire of very nice dresses, after a while, and some of the
robes looked very comfortable.
The
real find, however, came the next day, when she discovered the door to the
basement.
She had
thought that the spareness of the tower was owed to its lack of usual
occupancy; but when she found the basement, another answer made itself clear –
someone had taken practically everything out of the main rooms, and shoved it
all haphazardly into the basement, and closed the door on it.
Talia
supposed she could see, on one level, why someone might have deemed the objects
in the basement unsuitable for a princess. Though she could not fathom why they
assumed a bored princess would not simply go downstairs at some point. She felt
inexplicably insulted at the lack of locks on the door; though this feeling
swiftly gave way to curiosity, instead.
The
rooms contents had not been kindly handled. She tsk’d over books that had been
dumped in piles, their pages crinkled and their spines twisted. Some heavy
tomes on stands had been left to accumulate dust and cobwebs, and boxes full of
glass bottles had been ungently handled, leaving some to crack and leak
suspicious liquids that stained the floor. Several rune-marked skulls lined a
shelf in the room, and looked to be the only things that had not been touched
much. There was strange furniture, and jars of things like powdered unicorn’s horn, which
told her plenty about the ignorance of the people who had cleaned up this
place, because even she knew that was valuable stuff.
At
length, she rolled up her sleeves, and set about organizing it, just as she had
done the attic. Though, in this case, the task was much larger. She broke down
into its simplest steps. Step One – the books. Going through the mess, she
picked out all the books she could find, and did what she could for them. Some
were in languages she did not recognize. Even the ones she recognized had
uncommon titles, like A
Beginner’s Guide to Necromancy, and The
Lost Art of Summoning, and A Comprehensive Bestiary of the
Northern Wilds.
The
books proved not only to be the first step in cleaning up the basement, but
also the world’s most sufficient distraction. Talia found herself paging
through them out of sheer fascination with the volume of subjects available,
and the fact that she knew next to nothing of these topics. Soon enough she had
gathered up every book for beginners she could find, and before long she
discovered that one of the largest tomes was a dictionary, and she unearthed
also a translation guide for one of the unfamiliar languages that seemed common
to the texts.
It was,
then, slower going for the tasks of dealing with the broken bottles in the
crates – in the end she found a pair of thick gloves in the attic, and picked
out the ones that were not broken, and shoved the rest – crates and all – into
one of the empty closets.
After a
reading a bit more, she then barricaded the closet.
She
left the skulls be until she opened up the book on Necromancy, and then she
carried them up to a room where the moonlight could hit them. That evening she
had her first proper conversation inweeks as she took a chair into
the room, and waited for nightfall, and then spoke to some quite interesting
and helpful spirits. They were transparent of course, and not all of them were
very coherent. But they seemed happy to be out of the basement, and keen enough
to help her get a better understanding of some concepts from the books that had
been tricky for her.
She
organized the jars of ingredients, and discovered several discarded cauldrons,
and after some more reading, she went back up to the attic and fetched down the
wizard staffs that she had taken for walking sticks, and put them where they’d
be closer to hand. In a box under an overturned table she discovered a smashed
crystal ball, with a tiny pixie’s skeleton in it; and an unbroken crystal ball
which gleamed and glowed only faintly when she held it up to the stars.
It made
her think of Devorah and her knight. So that evening she did at last go up to
the highest point of her tower, and ring her silver bell.
Sure
enough, a door appeared in the basement. She wrapped the pixie skeleton in a
piece of black velvet, and tucked the crystal ball under her arm, and opened
the door.
Her
sister was delighted to see her, though confused as well. It was too soon for
Talia to be in her tower. So it was that Talia had to explain what had
transpired, and when she did, Devorah was overcome. It made her feel triply
awful for her uncharitable thoughts that first evening, to see her sister cry
and offer to go back and take her place.
“You
have to stay here with your knight,” Talia insisted. “It isn’t all bad.
There are some interesting things in the tower. And if I can talk to you
sometimes, as well as the skulls, I probably won’t go mad.”
Devorah
blinked back her tears.
“The
skulls?” she asked, in a voice that said she was worried her sister’s mental
state had already faltered.
So then
Talia found herself explaining about the tower, and its basement, and the
crystal ball she had brought, and the little skeleton, too. That made Devorah
cry a bit more, because she was a kind heart, and she had grown fond of the
little pixies in the fairy realm – even the vicious ones. She called for her
knight to come, then, and Talia watched as a silvery figure rode up on a white
horse that looked more like a ghost than a proper steed, however solid it may
have been to the eye.
Devorah’s
love looked like moonlight made flesh; slender but sharp as the blade of a
knife, and she bowed with courtly grace. She showed less grief over the pixies
than the princesses did. But then, her expression seemed to reveal very little
at all, until it turned to Devorah. At which point it would soften, and stars
would seem to dance in the dark pools of her eyes.
“Who is
this prince, who is so perilous a betrothal?” the fairy knight asked.
“I do
not know him. I know only his reputation, which had seemed fine enough, until Adina
spoke to me,” Talia explained.
“I know
a little more of him,” Devorah admitted, frowning. “Adina and I went to
one of his sister’s weddings, years ago. You were too young to come along. He
was a horrible brat, but then, he was a child. His father wasn’t much better,
though.”
The
fairy knight looked at the tiny pixie skeletons, and then at once broke the
crystal ball. The wisp of a sprite which escaped was small and quick, barely
there before it was gone again. But Talia didn’t mourn the loss of the crystal
ball. And after a moment, her sister’s knight tilted her head towards her, and
went and drew a small vial from her saddlebags.
“This
is a poison of sleep,” said the knight. “If you drink of it, you will fall
into a trance, and will not wake but for true love’s kiss. In dreams you may
find freedom. I would have offered it to Devorah, had she refused me, and her
suitor proven cruel. I will offer it to you, now. Should the worst come to
pass, drink it.”
The
tiny vial was silver and elegant. Pretty enough, even by the reckoning of
princesses. Talia took it, with gratitude. And when she left through the fairy
door before dawn, and came back into her tower, she felt lighter than she had
since leaving home.
For
several months, then, the little silver vial rested in her pockets, as she wore
dresses but also sometimes robes. Talia learned the few benefits of a life
primarily alone, in an empty and unoccupied tower that was locked up tight –
though even her mostly-indoor spirit began to long for the feeling of wind in
her hair, and grass between her toes, she could also parade around the rooms
naked as she pleased. Or clad only in a long robe which railed behind her, as
she sang songs with no one to care that they might be off-key, or that they
were ones she had overheard drunken servants singing.
She
poured through her new books and consulted with spirits, cavorted with her
sister and the fairies by night, and one morning she woke up and snapped her
fingers in a moment of grand epiphany; and flames darted up at the gesture.
And
alone, in the long and quiet days, she learned.
Four
months into her stay, Talia discovered how to unlock the tower door. It was a
simple spell, in fact. More a matter of tricking the tower into doing as she
wished. She strolled the grounds, well away from any guard posts, and found
wild vines and strange plants growing in the tower gardens. There was a book of
plants inside, and so she dragged it out with her the next day, and set about
identifying all the growing things she could not recognize; which, apart from
the dandelions, was nearly everything.
She
dusted off the cauldron, then, and must have burned herself sixteen different
times in attempting to master the various magical recipes involving the garden
plants. And plants from the fairy realm, as well. In one of the big, heavy
tomes, which always seemed to fight her every time she turned the pages, she
discovered a recipe for the sleeping draught which Devorah’s fairy knight had
given her; and by the gleam of a full moon, she gathered ingredients from both
worlds, and set about trying to recreate it.
Success
was difficult to gauge without tasting the end results, though. She was very
sure to label her own attempts accordingly, and dared not drink any of them.
It was
not a bad life. Not at all. It was lonely, at times, but with Devorah and the
spirits, not terribly so. And the freedoms she found were beginning to seem
more and more appealing. As time went on, Talia found herself thinking she
would much rather stay in her tower than see any shining prince approach from
the horizon.
But
when at last he came, she was ready for him.
The
time almost snuck up on her, but the terrain visible up from the tower window
was wide and barren, and one night as she went to bed she chanced to see a
campfire burning. And she counted the days in her head, and then fell into a
flurry of activity. She readied a fine dress, and packed up her things. She
slipped the best staff in amongst her chest of clothes, and packed the skulls
in with her jewellery. She slipped the sleeping potion into her pocket, and
emptied out the bottom of the crate containing her shoes and slippers; and she
did away with half of them, and fit as many of the most important books she
could manage in their place. She hid potions ingredients in among her make up,
and her own notes were kept safely in her diary. And every spare nook or cranny
she could find, she stuffed something she deemed worthy; until the things she
had first arrived with had become like a veil for the things she had uncovered
since.
“You
find yourself in that tower,” her mother had once told her.
And her
mother had found her place as queen; and Adina had found a dragon; and Devorah
had found her doorway out. As the sound of hoofbeats grew closer, Talia stared
towards the horizon of the western kingdom. Her fingers toyed with the stopper
of the sleeping draught.
She
wondered what she had really found.
Why
drink it yourself? one of the spirits had asked her, the first night she had
come back from visiting her sister, with the tiny vial in hand. It seems to me that the logical
thing to do, in an unhappy marriage, is poison the other person. Especially
when that opens a door to you taking his kingdom out from under him.
Such
interesting things, her skulls had to say.
And of
course, the kingdom she would marry into was one ruled by magic. Sometimes
princesses must think of their kingdoms first.
With a
wry little twist of her lips, Talia practised her best expression of swooning
relief, and waited for her prince.
a japanese guy who made a bunch of creepy pasta videos a long time ago (you’ve probably seen Youtube666, he made that) is playing through minecraft for the first time and he’s not using any guides or anything other than the in-game guidebook and he’s fucking. doing it in such a buddhist way.
like, he’s so patient and detached from all of the stuff he’s gotten.
in the newest episode he destroyed 14566 blocks of bridge and blew up his original house just because he learned about xyz coordinates by accidentally pressing F5 and he wanted his house to be at the X:0 coordinate.
also look at this quarry. it’s his 5th quarry.
look at this absolute fucking massive hole.
and it’s not like “HELLOOOOO EVERYBODY WHAT IS UP, TODAY WE’RE GONNA BE PLAYING MIIIIIINECRAAAAFT” he’s just like. a quiet 30 year old japanese man who speaks very precisely and politely. and he even does his own english captions which are overlayed on the video and he uses emoticons like (0u0)/
he’s so wonderful and cute.
please watch at least like 5 minutes of this.
i PROMISE you you’ll smile.
i’ve been keeping track of piropito’s minecraft series since the beginning and i can promise you all 76 episodes and counting are well worth the watch because it’s incredible the LENGTHS this guy goes to learn and explore without help from others.
some highlights:
-spends literal HOURS upon HOURS building these long, seemingly endless bridges because he wants to reach “the ends of the earth”
-around episode 40, he’s learned the ins and outs of redstone but doesn’t realize you can sleep in your bed.
-the noises he makes when he’s afraid of enemies/dies are precious and gentle and not at all what you’d expect from a famous horror artist
-spends hours trading resources with villagers to get glass only to find out almost 50 episodes in that you can make glass from sand
-destroys several mountains of sand in the desert to not only fuel his love for glass, but also because “explosions are sugoi 0u0″
-sees a silverfish and
-builds a giant “machine” that runs on redstone, minecarts, and pistons that pushes colored sand through a massive glass window. it doesn’t do anything, it just pushes all the blocks to the bottom and breaks after a few minutes. piro seems very pleased with it.
-makes these complex shapes/structures in an attempt to create a nether portal, doesn’t realize it’s just a rectangle
-a fan made a skin just for him, complete with 0u0 face
-falls in lava multiple times, never gives up
-builds a giant coin pusher game for funsies
–NANI KORE?
-in short i beg of you to watch this gentle man play minecraft blind it’s so fascinating
Fuck I love this dude!! I had no idea he does non-guro content! This is so cool!!!!
The older I get, the more I find heterosexual couples so…weird. It’s not that men and women are inherently different in irreconcilable ways, is that they’re socialized to believe they are, and it shows in how male/female couples interact. There is this awkward, unnecessary communication barrier between them based on their perceived gender differences. This obviously doesn’t apply to all heterosexual couples; I’m sure there are plenty with great communication and so on. But the large majority of the ones I’ve encountered in the past few years just don’t. It’s uncomfortable to watch.
They have all these weird notions about each other’s genders, and it’s so out of place for me. Like, women will let their husbands get away with not doing housework because “men are helpless” and men will talk about how their wives are “just hormonal” when they come to them with a legitimate grievance that needs to be talked about, and so on and so forth. Just a lot of back and forth that seems perfectly normal to them, but to an outsider who doesn’t experience this kind of heteronormative behavior often it’s like…
i’d like to share my hypothesis that this exact phenomenon is why straight writers struggle to write gay relationships (or project heteronormative constructs onto those relationships). they literally just don’t understand a relationship where one person doesn’t treat the other like they’re part of an alien species.
also, no one has brought this up at all, but i think that neo-pronouns have a place in the queer movement. i personally don’t like most of them, and i’m reluctant to use, idfk, bun-self pronouns, but here’s the thing.
most if not all neo-pronouns exist to reject the use of GENDER as the primary identifying feature of person to person language (idk if there’s an actual word for that, i’m a linguist in spirit not in vocabulary). in english, the set-up for singular third-person pronouns is as follows: male-aligned, female-aligned, and (if you’re not a coward) neither-aligned, neutral. that’s he/him, she/her, and they/them, respectively. even our neutral pronouns have a basis in the binary system of using gender as the main identifier, because ‘neutral’ is generally used to mean ‘on the same spectrum but between the two poles’. think about it–EVERY pronoun we use to speak about someone in the third person is gendered or derived from gender in some way.
not so for ze/zir/zerself. the closest some of these pronouns get to the actual proper pronoun system is how they reflect the use of Mx. as an honorific, and the use of Mx. is almost non-existent. saying you use ey/em/emself pronouns is like taking a linguistic step away from the gender system. you can still kind of trace the roots of some of these pronouns to the previous system (ey/em is likely derived from they/them, for example) but they don’t really lie on the male—-neutral—-female spectrum we’ve used for centuries.
noun-self pronouns take it a step further. it’s not just taking the gender out of the pronoun, it’s putting something else in its place. as a political statement, that holds INCREDIBLE meaning. noun-self pronouns spit in the face of proper english, cishet ideology, and mainstream culture all in one fell swoop. in fact, my own inability to completely divorce myself from the current system and accept noun-self pronouns is probably incredibly indicative of how counter to our culture it is to use them.
there are practical arguments against neo-pronouns that may or may not hold water, but AS A TREND (i’m not using this word to belittle the usage, btw, i’m just describing the rise of neo-pronouns) they have the same roots as gnc dress and the battle against gender roles. they FEEL different and ‘extra wrong’ because it’s been so long since we’ve had any sort of pronoun system that doesn’t rely on gender, in most languages, and that probably means neo-pronouns are all the more important in the long run. taking gender out of conversations that don’t need it may help us move past the friction that always rises around LGBTQ+ identities.
idk, it’s just something to think about.
this is a sweet-ass post and I’m gonna tag @nbpsiioniic in it.
Lotor is coded as half white/half POC with his white side being the side of his abusers and treated as being less than for being half POC (Altean) so,
Nevermind Lotor is proud of who he is. Nevermind Lotor is proud to be of Altean and Galra descent. Nevermind that you just slandered half of Lotor’s heritage in the name of defending him. Stripping his character down, stripping mixed race down, to a single sentence in the name of hate and uwu/woke points. Yes, Lotor is a survivor of abuse and wears that openly. But. Lotor is proud to be of Altean AND Galra descent. Proud of BOTH sides of his heritage. Washing over that and boiling his abuse down to a single sentence is a disservice to a phenomenal, nuanced character. But nevermind any of that. Let’s talk about:
What Voltron Owes Imperialism
or
Why Fandom is Missing the Point
Lotor being coded as half POC / half white may be completely on the money, but to say the Galra Empire is white coded is wildly inaccurate when we look at real life empires across history. Empire is not exclusively white. Empire does not know age, does not know gender, does not know race. Sci-Fi owes a great deal to European (white) imperialism but for this fandom it is important to remember Voltron originally came out of Japan. A country that has also parented deeply imperialistic ideologies and committed grave atrocities in pursuit of that imperialism. It is important to remember BOTH SIDES of Lotor’s heritage because, like all mixed race people, he pulls from more than one culture. But above all, IT IS IMPORTANT TO REMEMBER EMPIRE IS NOT THE ANSWER. Imperialism is bad no matter what form it takes.
The Galra as Imperial Japan-
Altea and the Galra both hold imperialistic views that closely mirror real world historical justifications for imperialism, but the Galra are not white coded. The Galra Empire holds more in common with Imperial Japan’s doctrine than with European empires in terms of structure, conquest, and internal justification. Looking at their structure, the Galra work on a class system. We have to assume there are at least a few classes given the complexity of such things, but we have only been shown a serving class and a warrior class, the latter being of the utmost importance and seemingly occupied by most of their citizens. We’ve only met 2 named non-warrior Galra across this war; and we likely were only shown the serving class to demonstrate that Zarkon has always been elitist. Like Imperial Japan, the Galra have a very rigid, militaristic internal hierarchy based on strength and blood, in that order, but always together. They elect their emperor based on valour and fighting prowess. They rise through the ranks based on how successful they are in battle, through honorable rite of combat. And following this ideology, Galra conquer because they are the strongest. Because others are weak and if a species is not strong enough to defend their people and their land then they deserve to be conquered and used for the glory of the Galra Empire. And the Galra consider their blood to be the source of that strength. The strongest are strong because they are pure and it is in their veins. But then we see that ideology tweaked as the Galra expand and spread. We see people like Shiro, who meet their criteria for strength without blood to bolster their claim, who have admirable fighting prowess. So Shiro becomes elevated; they call him Champion and brand him theirs by outfitting him with a piece of their culture, their technology. Because it is not enough for Shiro to be strong; he must be strong in the way they are: as a Galra. We see this again with mixed race Galra citizens like Lotor and his generals who have Galra blood and therefore are strong enough to be a part of their ranks, but they are still considered ‘less than’ because their blood is impure- ideology that was so deeply ingrained in Imperial Japan. This intense stratification in the Galra is perfectly illustrated when we are first introduced to Lotor:
The Galra also match Japan in terms of conquest. Colonization is achieved by sending merchants, missionaries and families to new territories to occupy the upper class and maintain hold on new land. But we learn Zarkon was not interested in this when Lotor recounts how he worked alongside the native inhabitants of his conquered planet. Zarkon was not out to colonize but to conquer. Like Imperial Japan, he sent soldiers and they conquered like locusts. They came in, stripped the area of resources, and put the appropriate fear into the local population. Like Imperial Japan, they preyed on the weak because they were strong. But a large part of why Japan was never conquered isn’t because of their tremendous fighting prowess. It’s because other imperialists, white imperialists, came to their lands, saw similar ideologies being practiced and sought alliance instead of subjection. And Japan eagerly accepted alliance, not out of fear, but because they sought to enhance their wealth through knowledge and technology. Sound familiar? If you’ve paid any attention to the early relationship of Alfor and Zarkon it should.
Why Galra and Alteans got along-
Earmarking Zarkon as Lotor’s white oppressor is an easy and thoughtless conclusion. Something fans like to jump to because the Galra Empire has been winning for thousands of years. Altea is not the oppressed POC wiped out by the evil white coded Galra. Altea is the white coded European imperialists overthrown by the POC coded Galra imperialists. It’s important to look at the other original Voltron paladins to understand this.
In VLD’s narrative, it is clear Alfor and Zarkon lead the alliance of their planetary system, the “formal agreement to work alongside each other.” Look at the screenshot above. On one side, we’ve got Zarkon, with Gyrgen and Trigel, and on the other we have Alfor backed by Blaytz. Instead of showing 5 individuals coming together on equal ground we are shown Zarkon and Alfor shaking hands while the others stand by. This implies that both Zarkon and Alfor had been working with other planets, shoring up allies and additional resources, to protect and expand their culture. Perhaps they were doing so in a peaceful way, but perhaps not.
We have this story of five warriors coming together to form an unlikely bond, but it’s interesting that we never hear anything about the other three paladins or their cultures, no mention of how they may have influenced Altea or Diabazaal. Just a clip of Alfor visiting one of their planets. We don’t even know if any of the other 3 paladins’ people survived the mass genocide that was Zarkon and Alfor warring with one another. The implication in all of this is that Zarkon nor Alfor were interested in adopting or preserving other cultures but rather sought to spread their ‘superior’ way of life.
Altea as Imperial Europeans-
Everything about Altea’s practice and ideology points to a very imperial European (white) concept of Believed Moral Superiority. Their decisions are very paternalistic, holier than thou, and centered on the idea that they are thinkers who only need others, like the Galra and Blaytz, for brawn. Allura and Coran set Alfor up as this great peacemaker, a very European justification with promises of prosperity that is never delivered. Alteans built a giant near-indestructible magical war machine and labeled it ‘Defender of the Universe.’ They had castle ships which they used to maintain their lifestyle and culture during prolonged visits to other planets. Alteans were regularly making off-planet visits to Weblums and Balmera to collect recourses for their technology. And ages before Alfor’s alliance with the Galra, Alteans ventured far enough into space to discover a mystical, magical place of secrets and wisdom which only a select few from their race were bidden knowledge of and access to. All of this adds up to the fact that Alteans have been conquering in the name of exploration for some time. Alteans operate under the guise of spreading peace and knowledge but that only lasts as long as the leader has pure intentions. When a leader becomes corrupted or a new one takes their place, what happens? Oh wait, we saw that in 03×04 Hole in the Sky with Empress Allura.
This alternate reality furthered the story line in so many ways, but for this post let’s focus on how it helped our understanding of Allura. There she was known as Empress Allura where she “put down the Galra uprising and established the Altean Empire 10,000 years ago… Without [her] will to fight and avenge the loss of [her] father, Altea would not have been able to spread peace and stability throughout the universe.” An imperial justification rampant throughout European empires. And Princess Allura lights up at this description of herself and her people.
The show even goes as far as to parallel ‘the Altean peace movement’ with slave labor, a strong call back to European justifications for empire in response to viewing other worlds as savage and in need of control and/or redemption. In that reality, Allura established the Altean empire for peace and justice but also vengeance. She spread that empire because she believed Alteans know peace and prosperity and she wanted to bring their ‘good fortune’ to others. Maybe in her lifetime she was good to her newly conquered subjects. Maybe she had their best interests at heart. Maybe, like Lotor, she had high ideals. But the fact is Allura built an empire and ten thousand years later her legacy is not peace but slavery. Back in this reality, Altea is just a more palatable version of European imperialism because it is an empire that was snuffed out before it could grow into something irretrievably evil. But it was still an empire, one in which Allura believes.
The Point is Empire in any form is Not Good-
Empire must justify itself. Empire is not good. Imperialism is not good. Any of it. The point is that Allura needs to wake up and smell the damn coffee known as freedom. Altea is a call to European imperialist ideology and Allura strongly identifies with this because she was born into it and has believed in it her entire life. The point is that Allura must unlearn her prejudices, unlearn her flawed ideology, and look beyond Altea if she truly wants peace for the universe. Seasons 1 and 2 were about her learning to recognize imperialism. Seasons 3 and 4 demonstrate that she is able to see past it for the greater good. But we have yet to hit the beat where Allura clearly identifies what is bad about her beliefs, about Altea. Allura is not a fickle character rewritten every other season to suit the needs of the plot. Imperialism is something deeply ingrained in her and it will take more than a few heart-to-hearts and minor epiphanies to change that.
Enter Lotor-
Maybe the worst part of all of this isn’t just the glorification of Altea as something it never was, but holding Lotor up as an oppressed baby suffering under colonization. Yes, he has suffered under imperialism, but Lotor is also entirely on board with CONTINUING THIS EMPIRE’S IMPERIALISM! (just maybe a little nicer.. maybe) Hint: If you still want to own people and their lands for the sake of owning them, it’s imperialism. Even if you don’t strip them of their resources and commit casual genocide. It’s still. NOT. GOOD. Lotor is whole heartedly owning the Galra Empire. He is not trying to repay the grievances committed against others by his people. He has not talked of plans to improve the lives of his current conquered subjects. He has not concerned himself with quelling the rebellion against the Galra Empire, his empire. (Side note: a lot of rebels are also coded as mixed race.) Lotor has almost exclusively shown interest in making allies who can bolster his status and gain him access to new resources. He talks of improving the lives of his citizens, Galra citizens. He talks of allowing non-Galra citizens who are strong, who are worthy, to join their ranks. But only if they are strong enough. Fans get upset that Allura is twisted into a naive character to suit the needs of the plot, but that is not what’s happening. Allura has saddled herself alongside Lotor because Lotor is speaking to her in terms of her ideology. Altean ideology. Altea’s way of empire. They are both imperialistic as fuck. Lotor talks of improving upon what his father built, but it is still an empire. And Allura buys into it because Lotor is using her terms of empire. An empire that preaches exploration and peace where WE ARE ALL SAFE AND WARM.
Allura harbours deeply imperialistic views and prejudices. Through the seasons we have seen her slowly chipping away at that mindset, but she is still holding on to an idealistic view of Altea. An Altea that mirrors European empire on multiple levels.
A large part of what makes Allura a compelling character is that her coding opposes itself. She comes from a culture built on a foundation of white European imperialist ideology but she knows the struggles of a POC at the hand of the Galra Empire. We are seeing her slowly understand that Altea’s imperialist way of thinking is not going to end well. She needs to change her ways, her beliefs, if she truly wants the universe to be free and prosper.
Pissed at me for calling out our beautiful ebony princess as white coded? Consider how we as a fandom would interpret Altea and Allura if everything was the same in VLD canon but Allura was still a white skinned, blonde haired, blue eyed woman as she is in earlier incarnations. Same behavior. Same character. Same history. Same descriptions. But Allura was white. How would you feel about Altea then?
Notes: HUGE thank you to @akaiikowrites for being an amazing history buff! If you want to scream at me or with me over this or anything to do with VLD my ask is open!
mmkay vulcans are like, so cold and unfeeling and stuff right. but “parted from me and never parted, never and always touching and touched” is literally like the most romantic fucking thing and they form actual mental bonds with their loved ones, how fucking romantic and they have a special word for soulmate and so many fucking terms of endearment
vulcans are fucking romantic as SHIT
Always remember, Vulcans aren’t cold, they are fire in a box they are holding shut by sitting on it.