Hey everyone I am incredibly stoned and having a lot of feelings about our like fourth and most explicit canon confirmation that time is non-linear as far the Force is concerned in the Star Wars universe, and what this may actually mean for those who can sense it
Especially when it comes to how Force-sensitives experience memory (premonition as memory of possible future events) and experience their relationships to others (how much can you sense your future feelings about a person before you develop them?) and ESPECIALLY when it comes to attachment and what that implies/means if/when you are able to experience emotion in a non-linear manner.
I mean how many times when we see Force-sensitives fall in love they do it instantly hard and fast, bringing an intensity to the table their non-Force-sensitive partner often does not understand? When that pattern does not manifest, how often in its place do we see the Force-sensitive couching their feelings in terms of restraint or denial, hinting they feel an intensity that has to be held back?
What does it mean if through the Force you can sense the all encompassing love you will one day have for a person you may have only just met, or not met yet at all?
Or to use a truly and fully non-romantic example – when Leia tells Luke she always knew he was her brother somehow, could that have not been her sensing a biological bond, but rather her future relationship with him bleeding through into their past? Much as Padmé – who Leia never knew at all – could bleed through from her past in the form of visions/memories so Leia knew she was kind and beautiful and sad?
THIS IS SUCH A MIND BLOWINGLY FASCINATING THING TO THINK ABOUT.
That time is non-linear in the Star Wars universe, that Force-sensitives are tapping into this thing that is non-linear, which means they can be tapping into everything at once, all across the span of their lives (or possibly greater) and how that affects their (basically psychic) abilities.
How it affects these things that they just “always knew”, how Leia just always felt that connection to Luke, that it’s a little bit some part of her knowing what’s coming (and this puts Force users’ ability to know the future/past into a whole new light, that it’s the Cosmic Force’s non-linear nature brushing up against them) but also that she’s feeling her future feelings and her past feelings.
How it affects someone like Anakin Skywalker, who is already so overloaded with feelings and doesn’t want to do anything less than wholly embrace them–he’s piled on with all of his feelings for Padme over the entire course of his life, that he loves her instantly because he loves her in the future and all of that is jammed into him at once the first time he actually sees her?
What does this mean for Luke, who would be feeling all those terrible things Ben will do, but hasn’t done yet, but he still feels them and they’re still true? What does this mean for all those potential futures that Force-sensitives get a glimpse of, that Force Spirits can see and know would have been true?
I really love how massive and eldritch this makes the Force, how unknowable it can make the Force, because no mortal mind could really understand it, how this explores something new about the Force and yet seems to fit so well with everything else. Emotions in a non-linear manner, no wonder they’re always having to brace themselves, if you’re not only bombarded by what you feel in the moment, but occasionally the entire span of your life, the more you let those feelings run awhile, the more you’re hit with a mac truck of sheer emotions.
Obi-Wan experiencing his ENTIRE LIFE’S WORTH OF GRIEF AT MOMENTS, not knowing what it meant or where it was coming from, only that he sometimes felt this impossibly infinite span of sadness? THANKS, ANON.
So the subplot of Holes is that Kate Barlow deals with the politically-sanctioned execution of her black boyfriend—who unlawfully kissed a white woman who was in love with him!!!—by becoming a serial killer who targets racist/sexist white dudes who harassed her, were rejected, then went after her boyfriend as revenge from the depths of the “friend zone”.
Go off Louis Sachar, let em know!
Don’t forget the main plot was a damning satire of the brokenness and inherent racism of the American justice and prison systems! Louis Sachar does not fuck about
It always fuck me up that older people don’t understand how this story is as essential to most american children as Gone with the Wind or Mary Poppins was.
unironically, this is one of the best books/movies for young people that exists
Kissing Kate Did Nothing Wrong
And the technical writing of Holes is perfect. Like, it’s one of the most technically-perfect books ever written. Basically any plotting or pacing or characterization issue you’re having, read Holes and really study how Sachar did it. THE LIZARDS! THE LIZARDS.
the twisty prophecies! the lizards! the lipstick! the humor! this book doesn’t play. a true classic.
The world’s tiniest dragon must defend his hoard, a single gold coin, from those who would steal it.
Suggestion: The dragon’s definition of “steal” is somewhat loose. It still allows the coin to be used and bartered and change hands–but on one condition: the dragon must be with it at all times.
They become a familiar sight in the marketplace.
“Here’s your change, ma’am. One gold piece.” The merchant holds out a palm, on top of which rests a tiny, brilliantly colored creature clutching a single gold coin.
“That’s a dragon,” you say dumbly. “One piece… and a dragon.”
“Yes.”
You cautiously reach out and attempt to take your change. You tug. It holds. You tug harder. The dragon lets loose a tiny, protective growl.
“Ma’am–no, ma’am, you have to take the dragon, too.”
“Sorry?”
The seller notes your dubious expression. “Not from around here, are ya?” They shrug. “Them’s the rules. Take the coin, take the dragon.”
They wait expectantly. Wondering how the world has so suddenly gone mad, you slowly, slowly hold out your hand.
The dragon perks right up. It scampers from their palm to yours with the coin clamped in its jaws and scales your sleeve with sharp little claws.
“Have a nice day, ma’am,” the merchant says. “Spend him soon, now, you hear? At another booth, if you can. He likes to travel.”
From its perch upon your shoulder, the dragon lets out a happy trill.
Bonus: the coin eventually passes to the rogue in a group of travelling adventurers. The dragon becomes the mascot of the entire group, and they lay out a small pile of coins for him to sleep on every night, clutching his coin like a teddy bear.
I believe this is from Ghost Stories. The series didn’t do too well in Japan, so when it was translated and dubbed in English, the VA studio was given a rough outline of the plot and were told to do ‘whatever’.
My AP Psych teacher from high school keeps binders and notebooks with dicks drawn on them to use as visual aids for the Freudian unit.
One time she did this life changing little “experiment” where she ever so calmly asked guys why they draw penises on things. They tried to say “it’s just funny” or “you don’t understand” and she just kept saying “you’re right, I don’t understand. Explain to me. You already know what a penis looks like, why do you have to draw it on things? Are you marking it? Are you tagging it? Girls don’t draw vaginas on things.” And the guys suddenly started questioning their motives for everything they do and one guy was like “ms, stop talking about penises, you’re making us uncomfortable.” And she shouted “HOW DO YOU THINK WE FEEL SEEING DICKS DRAWN ON STUFF ALL THE TIME?”
just moving along like everyone else 